Adoro te devote (by Gerald Near): Difference between revisions

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==Background==
==Background==


This piece is a prelude with four variations on the Gregorian chant "Adoro Te Devote".
This work is a prelude with four variations on the Gregorian chant "Adoro Te Devote" (Humbly we adore Thee).


For the Latin and English translation of the text see the Wikipedia page [http://en.wikipedia.org/wiki/Adoro_te_devote  Adoro te devote].
The English translation for this Eucharist hymn is:
<blockquote>
Hidden God, devoutly I adore Thee,<BR>
Truly present underneath these veils:<BR>
All my heart subdues itself before Thee,<BR>
Since it all before Thee faints and fails.<BR>
 
Not to sight, or taste, or touch be credit,<BR>
Hearing only do we trust secure;<BR>
I believe, for God the Son hath said it–<BR>
Word of Truth that ever shall endure.<BR>
 
On the Cross was veiled Thy Godhead's splendor,<BR>
Here Thy manhood lieth hidden too;<BR>
Unto both alike my faith I render,<BR>
And, as sued the contrite thief, I sue.<BR>
 
Though I look not on Thy wounds with Thomas,<BR>
Thee, my Lord, and Thee, my God, I call:<BR>
Make me more and more believe Thy promise,<BR>
Hope in Thee, and love Thee over all.<BR>
 
O Memorial of my Saviour dying,<BR>
Living Bread that givest life to man;<BR>
May my soul, its life from Thee supplying,<BR>
Taste Thy sweetness, as on earth it can.<BR>
 
Deign, O Jesus, pelican* of heaven,<BR>
Me, a sinner, in Thy Blood to lave,<BR>
To a single drop of which is given<BR>
All the world from all its sin to save.<BR>
 
Contemplating Lord, Thy hidden presence,<BR>
Grant me what I thirst for and implore,<BR>
In the revelation of Thine essence<BR>
To behold Thy glory evermore.<BR>
</blockquote>
 
For a poetic translation of the text see the Wikipedia page [http://en.wikipedia.org/wiki/Adoro_te_devote  Adoro te devote].


==Registration and Organs==
==Registration and Organs==
Replace this text any specific information on registration and organs
The following registration indications are given in Gerald Near's Performance Notes at the end of the book.<ref>Near, Gerald. Performance Notes from Saint Augustine's Organbook: Ten Preludes on Gregorian Chant Melodies for Organ.</ref>
 
Prelude: ''mp'' passages = Manuals - flutes 8' and 4'; Pedal - flue stops 16' and 8'; ''mf'' solo passages = Use a stop that is not too contrasting in color to the accompaniment.  For instance, an 8' principal might sound better than a reed.
 
Variation I: Use strings in the left hand (coupled to a Pedal at 8' with a 16' pedal stop drawn) and an 8' flute for the right hand solo.
 
Variation II: Employ a light 8' reed stop for the solo, with flutes 8' and 4' to accompany, coupled to pedal with the addition of a 16' flue.


''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>
Variation III: Balance the manuals as evenly as possible and for the pedal use a 4' flue or reed stop.
 
Variation IV: Register with principal stops up to 2', but without mixtures.


==Fingering and Pedaling==
==Fingering and Pedaling==
Line 19: Line 65:


==Ornamentation==
==Ornamentation==
Replace this text with any specific information on ornamentation
Ornamentation is written into Gregorian Chant.  No additional ornamentation is required.


==Tempo and Meter==
==Tempo and Meter==
Replace this text with any specific information on tempo and meter
These variations are intended to be played in alternatum style between the singing of various stanzas of the hymn, during Communion.  Do not attempt to play the variations as the same tempo the hymn is sung.  Rather, follow the metronome markings indicated for each variation.<ref>Near, Gerald. Performance Notes from Saint Augustine's Organbook: Ten Preludes on Gregorian Chant Melodies for Organ.</ref>
 
Prelude: dotted quarter note = c. 44
 
Variation I: eighth note = c. 86
 
Variation II: quarter note = c. 54
 
Variation III: quarter note = c. 63
 
Variation IV: eighth note = c. 80
 
 
See the notes concerning rhythm that are found in Background and General Perspectives, on the [http://organplayingwiki.byu.edu/index.php/Saint_Augustine%E2%80%99s_Organbook St. Augustine's Organbook page].


==Scores and Editions==
==Scores and Editions==

Latest revision as of 15:06, 6 May 2015

from Saint Augustine’s Organbook by Gerald Near

Background

This work is a prelude with four variations on the Gregorian chant "Adoro Te Devote" (Humbly we adore Thee).

The English translation for this Eucharist hymn is:

Hidden God, devoutly I adore Thee,
Truly present underneath these veils:
All my heart subdues itself before Thee,
Since it all before Thee faints and fails.

Not to sight, or taste, or touch be credit,
Hearing only do we trust secure;
I believe, for God the Son hath said it–
Word of Truth that ever shall endure.

On the Cross was veiled Thy Godhead's splendor,
Here Thy manhood lieth hidden too;
Unto both alike my faith I render,
And, as sued the contrite thief, I sue.

Though I look not on Thy wounds with Thomas,
Thee, my Lord, and Thee, my God, I call:
Make me more and more believe Thy promise,
Hope in Thee, and love Thee over all.

O Memorial of my Saviour dying,
Living Bread that givest life to man;
May my soul, its life from Thee supplying,
Taste Thy sweetness, as on earth it can.

Deign, O Jesus, pelican* of heaven,
Me, a sinner, in Thy Blood to lave,
To a single drop of which is given
All the world from all its sin to save.

Contemplating Lord, Thy hidden presence,
Grant me what I thirst for and implore,
In the revelation of Thine essence
To behold Thy glory evermore.

For a poetic translation of the text see the Wikipedia page Adoro te devote.

Registration and Organs

The following registration indications are given in Gerald Near's Performance Notes at the end of the book.[1]

Prelude: mp passages = Manuals - flutes 8' and 4'; Pedal - flue stops 16' and 8'; mf solo passages = Use a stop that is not too contrasting in color to the accompaniment. For instance, an 8' principal might sound better than a reed.

Variation I: Use strings in the left hand (coupled to a Pedal at 8' with a 16' pedal stop drawn) and an 8' flute for the right hand solo.

Variation II: Employ a light 8' reed stop for the solo, with flutes 8' and 4' to accompany, coupled to pedal with the addition of a 16' flue.

Variation III: Balance the manuals as evenly as possible and for the pedal use a 4' flue or reed stop.

Variation IV: Register with principal stops up to 2', but without mixtures.

Fingering and Pedaling

Replace this text with any specific information on fingering and pedaling

Articulation and Phrasing

Replace this text with any specific information on articulation and phrasing

Ornamentation

Ornamentation is written into Gregorian Chant. No additional ornamentation is required.

Tempo and Meter

These variations are intended to be played in alternatum style between the singing of various stanzas of the hymn, during Communion. Do not attempt to play the variations as the same tempo the hymn is sung. Rather, follow the metronome markings indicated for each variation.[2]

Prelude: dotted quarter note = c. 44

Variation I: eighth note = c. 86

Variation II: quarter note = c. 54

Variation III: quarter note = c. 63

Variation IV: eighth note = c. 80


See the notes concerning rhythm that are found in Background and General Perspectives, on the St. Augustine's Organbook page.

Scores and Editions

The Service Playing exam requires the use of Aureole Edition, AE 86, distributed by MorningStar Music.

Recordings

Replace this text with any specific information on recordings

Free Online

Adoro Te Devote (Humbly We Adore Thee) by Gerald Near, performed by Brad Cunningham

Pay to Listen

Replace this text with any specific information on online recordings that are available for a fee

Other Resources

Replace this text with any information on other resources pertinent to performing this piece

Notes

  1. Near, Gerald. Performance Notes from Saint Augustine's Organbook: Ten Preludes on Gregorian Chant Melodies for Organ.
  2. Near, Gerald. Performance Notes from Saint Augustine's Organbook: Ten Preludes on Gregorian Chant Melodies for Organ.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.