C. Hubert H. Parry: Difference between revisions

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==Synopsis==
==Synopsis==
French, German, or?? composer, organist, and/or teacher??
English composer, scholar, and teacher
*<birth year> born in <birth city>
* born Bournemouth, 27 Feb 1848
*<year of event> <city of event> <short description of event>
* 1866 graduated from Eton with a Bmus, after being taught during his school years by Sir George Elvey at St George's Chapel, Windsor. Sir Elvey gave him his first lessons in organ playing.
*<year of event> <city of event> <short description of event>
* 1866-1870 attended Exeter College, Oxford, where he read law and modern history.
*to <year of death> <city of death>
* 1867 summer studied music in Stuttgart with Henry Hugo Pierson
* 1870 received his BA from Oxford and took a position with Lloyd's of London
* 1872 married his childhood sweetheart, Maude Herbert, sister of George, 13th Earl of Pembroke
* 1870-1877 while working at Lloyd's, Parry continued his music studies, first with William Sterndale Bennett. He applied to study with Brahms but was rejected. He then studied with Edward Dannreuther, a piano virtuoso. With Danreuther, Parry studied keyboard, but gradually shifted to studying contempory music. He studied and was heavily influenced by Mendelssohn, Liszt, Tchaikovsky, and Brahms, and became a great admirer of Wagner, whom he met on several occasions.
* 1877 Parry gave up his employment at Lloyd's to become a professional musician. He took a job as a sub-editor for George Grove's new "Dictionary of Music and Musicians," where he contributed more than 100 articles.
* 1883 became Professor of Music History at the newly founded Royal Conservatory of Music.
* 1890's Parry achieved such national renown that he was considered the unofficial "composer laureate." Due to his skills, his social prominence, and his forceful personality, Parry revitalized classical music in England during a period when it was in decline.
* 1894 succeeded Grove as director of the Royal Conservatory.
* 1898 knighted in recognition of his services to British music.
* 1900 appointed Heather Professor of Music at Oxford
* 1902 Parry was made a baronet
* 1908 forced to give up his Oxford chair due to worsening heart trouble.
* died Rustington, Sussex, 7 Oct 1918


For details, see the [http://en.wikipedia.org/wiki/<first_middle_last as listed in Wikipedia> Wikipedia article.].
 
 
Also Oxford Music Online (from Grove's): http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/20949?q=hubert+parry&search=quick&pos=1&_start=1#firsthit
 
 
For details, see the [http://en.wikipedia.org/wiki/Hubert_Parry Hubert Parry article on Wikipedia].


==List of Organ Works==
==List of Organ Works==
{| class="sortable wikitable" border="1"
{| class="sortable wikitable" border="1"
|+ Click to sort by Opus number or Title
|+ Click to sort by opus number, title, or year of composition or publication
|-
|-
! scope="col" | Opus
! scope="col" | Title
! scope="col" | Title
! scope="col" | Year
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [["I Was Glad," official coronation anthem beginning with King Edward VII, for choir and organ]] || 1902
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Grand Fugue with 3 subjects in G Major]] || 1865
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Fantasia and Fugue in G Major]] || 1877-1912
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Chorale Preludes, set 1]] || 1911-1912
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[3 Chorale Fantasias]] || 1911-1914
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Toccata and Fugue, "The Wanderer"]] || 1912-1918
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Elegy (for the funeral of the 14th Earl of Pembroke]] || 1913
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| [[Chorale Preludes, set 2]] || 1915
|-
|-
| <opus number> || [[<title> (<year of composition>, <publisher>)]]
| Op. ?? || [[Title]] || year
|}
|}


=General Perspectives on Performing These Organ Works=
Note: Parry's organ works do not have Opus numbers assigned to them.
''(For perspectives on a specific piece or genre, use the "List of Organ Works" above.)''


<Enter here any general perspectives that do not fit under the categories listed below.>
==Background and General Perspectives on Performing These Organ Works==
Parry was trained on the organ during his school days at Eton. His composition was heavily influenced by the German romantic composers: Mendelssohn, Schumann, Liszt, Brahms, and Wagner. He composed heavily for choir and for orchestra in addition to his keyboard compositions. Many of his works exhibit a cyclic form, and he adds his own original touches to traditional forms such as Sonata or Fugue. His works are largely diatonic in nature, although Parry makes heavy use of diminished 7ths and chromatic progressions.


==Registration and Organs==
==Registration and Organs==
<Enter here any specific information on registration and organs.>
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
 
''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" section</ref>''


==Fingering and Pedaling==
==Fingering and Pedaling==
<Enter here any specific information on fingering and pedaling.>
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces


==Articulation and Phrasing==
==Articulation and Phrasing==
<Enter here any specific information on articulation and phrasing.>
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces


==Ornamentation==
==Ornamentation==
<Enter here any specific information on ornamentation.>
Replace this text with information on ornamentation that might be applicable to the whole set of pieces


==Tempo and Meter==
==Tempo and Meter==
<Enter here any specific information on tempo and meter.>
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces


==Scores and Editions==
==Scores and Editions==
<Enter here any specific information on scores and editions.>
Fantasy and Fugue in G major: http://imslp.org/wiki/Fantasia_and_Fugue,_Op.188_(Parry,_Charles_Hubert_Hastings)
 
Chorale Preludes: http://imslp.org/wiki/Chorale_Preludes_(Parry,_Charles_Hubert_Hastings)
 
Elegy: http://imslp.org/wiki/Elegy_(Parry,_Charles_Hubert_Hastings)
 
I Was Glad: http://imslp.org/wiki/I_was_Glad_(Parry,_Charles_Hubert_Hastings)


==Recordings==
==Recordings==
<Enter here any specific information on recordings.>
Replace this text with information on recordings


===Free Online===
===Free Online===
<Enter here any specific information on online recordings that are available free.>
Hubert Parry - Organ Chorale Preludes - Dundee / Christe, Redemptor , [https://www.youtube.com/watch?v=hSTH2Gvlx3U, performed by John Peace]
 
Hubert Parry: I was glad, [https://www.youtube.com/watch?v=nDTUMmlsm8k, performed by Robert Smith]
 
Fantasia and Fugue in G - Sir Hubert Parry, [https://www.youtube.com/watch?v=p-d4SdCBEDo, performed by Roger Sayer]
 
Chorale Prelude (from set 1) on Christe, Redemptor Omnium: https://www.youtube.com/watch?v=CTGN4KgC8EY
 
Chorale Prelude (from set 1) on Old 104th: https://www.youtube.com/watch?v=B51_mQrtFik
 
Elegy: https://www.youtube.com/watch?v=sjiAT_Jj1A8
 
I Was Glad: https://www.youtube.com/watch?v=_8GJ2CWjQSc


===Pay to Listen===
===Pay to Listen===
<Enter here any specific information on online recordings that are available for a fee.>
Replace this text with information on online recordings that are available for a fee


==Other Resources==
==Other Resources==
<Enter here any information on other resources pertinent to performing these works.>
Replace this text with information on other resources that might be pertinent to performing these pieces


==Notes==
==Notes==
<references/>
<references/>
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote.''
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''

Latest revision as of 15:00, 1 March 2015

Synopsis

English composer, scholar, and teacher

  • born Bournemouth, 27 Feb 1848
  • 1866 graduated from Eton with a Bmus, after being taught during his school years by Sir George Elvey at St George's Chapel, Windsor. Sir Elvey gave him his first lessons in organ playing.
  • 1866-1870 attended Exeter College, Oxford, where he read law and modern history.
  • 1867 summer studied music in Stuttgart with Henry Hugo Pierson
  • 1870 received his BA from Oxford and took a position with Lloyd's of London
  • 1872 married his childhood sweetheart, Maude Herbert, sister of George, 13th Earl of Pembroke
  • 1870-1877 while working at Lloyd's, Parry continued his music studies, first with William Sterndale Bennett. He applied to study with Brahms but was rejected. He then studied with Edward Dannreuther, a piano virtuoso. With Danreuther, Parry studied keyboard, but gradually shifted to studying contempory music. He studied and was heavily influenced by Mendelssohn, Liszt, Tchaikovsky, and Brahms, and became a great admirer of Wagner, whom he met on several occasions.
  • 1877 Parry gave up his employment at Lloyd's to become a professional musician. He took a job as a sub-editor for George Grove's new "Dictionary of Music and Musicians," where he contributed more than 100 articles.
  • 1883 became Professor of Music History at the newly founded Royal Conservatory of Music.
  • 1890's Parry achieved such national renown that he was considered the unofficial "composer laureate." Due to his skills, his social prominence, and his forceful personality, Parry revitalized classical music in England during a period when it was in decline.
  • 1894 succeeded Grove as director of the Royal Conservatory.
  • 1898 knighted in recognition of his services to British music.
  • 1900 appointed Heather Professor of Music at Oxford
  • 1902 Parry was made a baronet
  • 1908 forced to give up his Oxford chair due to worsening heart trouble.
  • died Rustington, Sussex, 7 Oct 1918


Also Oxford Music Online (from Grove's): http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/20949?q=hubert+parry&search=quick&pos=1&_start=1#firsthit


For details, see the Hubert Parry article on Wikipedia.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Title Year
"I Was Glad," official coronation anthem beginning with King Edward VII, for choir and organ 1902
Grand Fugue with 3 subjects in G Major 1865
Fantasia and Fugue in G Major 1877-1912
Chorale Preludes, set 1 1911-1912
3 Chorale Fantasias 1911-1914
Toccata and Fugue, "The Wanderer" 1912-1918
Elegy (for the funeral of the 14th Earl of Pembroke 1913
Chorale Preludes, set 2 1915
Op. ?? Title year

Note: Parry's organ works do not have Opus numbers assigned to them.

Background and General Perspectives on Performing These Organ Works

Parry was trained on the organ during his school days at Eton. His composition was heavily influenced by the German romantic composers: Mendelssohn, Schumann, Liszt, Brahms, and Wagner. He composed heavily for choir and for orchestra in addition to his keyboard compositions. Many of his works exhibit a cyclic form, and he adds his own original touches to traditional forms such as Sonata or Fugue. His works are largely diatonic in nature, although Parry makes heavy use of diminished 7ths and chromatic progressions.

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Fantasy and Fugue in G major: http://imslp.org/wiki/Fantasia_and_Fugue,_Op.188_(Parry,_Charles_Hubert_Hastings)

Chorale Preludes: http://imslp.org/wiki/Chorale_Preludes_(Parry,_Charles_Hubert_Hastings)

Elegy: http://imslp.org/wiki/Elegy_(Parry,_Charles_Hubert_Hastings)

I Was Glad: http://imslp.org/wiki/I_was_Glad_(Parry,_Charles_Hubert_Hastings)

Recordings

Replace this text with information on recordings

Free Online

Hubert Parry - Organ Chorale Preludes - Dundee / Christe, Redemptor , performed by John Peace

Hubert Parry: I was glad, performed by Robert Smith

Fantasia and Fugue in G - Sir Hubert Parry, performed by Roger Sayer

Chorale Prelude (from set 1) on Christe, Redemptor Omnium: https://www.youtube.com/watch?v=CTGN4KgC8EY

Chorale Prelude (from set 1) on Old 104th: https://www.youtube.com/watch?v=B51_mQrtFik

Elegy: https://www.youtube.com/watch?v=sjiAT_Jj1A8

I Was Glad: https://www.youtube.com/watch?v=_8GJ2CWjQSc

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.