Carillon: Difference between revisions

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from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]]
from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]]
The ''Carillon'' is the most popular of all of the twenty-four pieces.


Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."<ref> Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 534. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>
Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."<ref> Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 534. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>

Revision as of 03:36, 20 March 2014

from Vingt-quatre Pièces en style libre by Louis Vierne

The Carillon is the most popular of all of the twenty-four pieces.

Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."[1]

Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page. [2]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 534. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
  2. This footnote was entered in the "Registration and Organs" article.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.