Charles-Marie Widor: Difference between revisions
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! scope="col" | Opus | ! scope="col" | Opus | ||
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| | | 13/1 || [[Symphonie pour orgue No. 1 op. 13 no. 1 (1872, Hamelle)]] | ||
|- | |- | ||
| | | 13/2 || [[Symphonie pour orgue No. 2 op. 13 no. 2 (1872, Hamelle)]] | ||
|- | |- | ||
| | | 13/3 || [[Symphonie pour orgue No. 3 op. 13 no. 3 (1872, Hamelle)]] | ||
|- | |- | ||
| | | 13/4 || [[Symphonie pour orgue No. 4 op. 13 no. 4 (1872, Hamelle)]] | ||
|- | |- | ||
| 564-66 || [[Toccatas and Fugues]] | | 564-66 || [[Toccatas and Fugues]] | ||
|- | |- | ||
| 567-69 || [[Preludes]] | | 567-69 || [[Preludes]] | ||
|- | |- | ||
| 570-73 || [[Fantasias]] | | 570-73 || [[Fantasias]] | ||
|- | |- | ||
| 574-81 || [[Fugues]] | | 574-81 || [[Fugues]] | ||
|- | |- | ||
| 582 || [[Passacaglia]] | | 582 || [[Passacaglia]] | ||
|- | |- | ||
| 583-86 || [[Trios]] | | 583-86 || [[Trios]] | ||
|- | |- | ||
| 587-91 || [[Various]] | | 587-91 || [[Various]] | ||
|- | |- | ||
| 592-97 || [[Concerto transcriptions]] | | 592-97 || [[Concerto transcriptions]] | ||
|- | |- | ||
| 598 || [[Pedal Exercitum]] | | 598 || [[Pedal Exercitum]] | ||
|- | |- | ||
| 599-644 || [[Orgelbüchlein]] | | 599-644 || [[Orgelbüchlein]] | ||
|- | |- | ||
| 645-650 || [[Schübler Chorales]] | | 645-650 || [[Schübler Chorales]] | ||
|- | |- | ||
| 651-68 || [[Leipzig Chorales]] | | 651-68 || [[Leipzig Chorales]] | ||
|- | |- | ||
| 669-89 || [[Clavierübung III]] | | 669-89 || [[Clavierübung III]] | ||
|- | |- | ||
| 690-713 || [[Kirnberger Chorales]] | | 690-713 || [[Kirnberger Chorales]] | ||
|- | |- | ||
| 714-64 || [[Misc. Chorales]] | | 714-64 || [[Misc. Chorales]] | ||
|- | |- | ||
| 765-71 || [[Partitas]] | | 765-71 || [[Partitas]] | ||
|} | |} | ||
Revision as of 08:12, 12 October 2011
Synopsis
French composer, organist, teacher
- 1844 born in Lyon
- 1863 Brussels to study organ with Lemmens and composition with Fétis
- to 1937 Paris
For details, see the Wikipedia article.
List of Organ Works
| Opus | Title |
|---|---|
| 13/1 | Symphonie pour orgue No. 1 op. 13 no. 1 (1872, Hamelle) |
| 13/2 | Symphonie pour orgue No. 2 op. 13 no. 2 (1872, Hamelle) |
| 13/3 | Symphonie pour orgue No. 3 op. 13 no. 3 (1872, Hamelle) |
| 13/4 | Symphonie pour orgue No. 4 op. 13 no. 4 (1872, Hamelle) |
| 564-66 | Toccatas and Fugues |
| 567-69 | Preludes |
| 570-73 | Fantasias |
| 574-81 | Fugues |
| 582 | Passacaglia |
| 583-86 | Trios |
| 587-91 | Various |
| 592-97 | Concerto transcriptions |
| 598 | Pedal Exercitum |
| 599-644 | Orgelbüchlein |
| 645-650 | Schübler Chorales |
| 651-68 | Leipzig Chorales |
| 669-89 | Clavierübung III |
| 690-713 | Kirnberger Chorales |
| 714-64 | Misc. Chorales |
| 765-71 | Partitas |
General Perspectives on Performing These Organ Works
(For perspectives on a specific piece or genre, use the "List of Organ Works" above.)
Registration and Organs
Quentin Faulkner, "Information on Organ Registration From a Student of J.S. Bach."
- Translation and commentary by Quentin Faulkner on a 1758 article[1] by Agricola, student of J. S. Bach, on organ registration.
Stephen Roberts, "A Visit to Arnstadt."
- A detailed description of the organ at which Bach presided at the beginning of his career as organist, a report of the restoration of the organ in 1999, and the author's conclusions on registration for that organ.
Fingering and Pedaling
- An analysis of three early fingering sources.
Articulation and Phrasing
Ornamentation
Tempo and Meter
Scores and Editions
Recordings
Free Online
Pay to Listen
Other Resources
Notes
- ↑ Marpurg, Friedrich Wilhelm. Historisch-Kritische Beytriige zur Aufnahme der Musik (Historical and Critical Contributions to the Reception of Music), Volume 3, Part 6. Berlin: Gottlieb August Lange, 1758.
