Félix Alexandre Guilmant: Difference between revisions

From Organ Playing Wiki
Jump to navigationJump to search
 
Line 11: Line 11:
* He taught solfege at the Ecolee Communale de Musique
* He taught solfege at the Ecolee Communale de Musique
* 1860 He went to Brussels to study with J. N. Lemmens
* 1860 He went to Brussels to study with J. N. Lemmens
* 1862 He inaugurated a new organ at Aristide Cavaille-Coll in Paris at St. Sulpice
* 1862 He inaugurated a new organ by Aristide Cavaille-Coll in Paris at St. Sulpice
* 1868 He inaugurated a new organ at Notre Dame
* 1868 He inaugurated a new organ at Notre Dame
* 1871 He became the organist at La Trinite  
* 1871 He became the organist at La Trinite  

Latest revision as of 17:43, 24 September 2014

Synopsis

French Composer, Concert Organist, and Teacher, Editor

  • Born on March 12, 1837 in Boulogne-ser-Mer, France
  • His father Jean-Baptiste Guilmant, organist of St. Nicolas, Boulogne, was his first music teacher
  • At the same time he took harmony lessons with Gustav Carulli
  • From an early age he was devoted to music and the organ. He rigorously practiced, composed and studied treatises
  • 1853 at age 16 he became organist of St Joseph
  • 1855 he composed his first Messe solemnelle in F
  • He taught solfege at the Ecolee Communale de Musique
  • 1860 He went to Brussels to study with J. N. Lemmens
  • 1862 He inaugurated a new organ by Aristide Cavaille-Coll in Paris at St. Sulpice
  • 1868 He inaugurated a new organ at Notre Dame
  • 1871 He became the organist at La Trinite
  • 1878 He became the resident organist of the Palais du Trocadero
  • During this time he decided to pursue a parallel career as a recitalist
  • He edited and published forgotten works of Titelouze, Grigny, Clerambault, and Couperin
  • He also loved new music from Liszt, Schumann, Rheinberger, Franck, Saint-Saens, Widor and S. S. Wesley
  • He would also program Handel's organ concertos, and transcriptions of Berlioz and Wagner
  • He toured throughout Europe, Britain, and America. He was the first major French composer to tour the United States.
  • He was known for his impeccable technique, precision and rhythmic clarity. He also was known for his registration choices
  • 1894 he joined with Vincent d'Indy and CharlesBordes to found the Schola Cantorum, where they intended to continue the tradition of Franck
  • 1896-1911 He succeeded Widor as the organ professor at the Paris Conservatoire.
  • There he taught Dupre, Nadia Boulanger, Clarence Eddy, and William C. Carl.
  • Died on March 29, 1911 in Meudon, France

1855-1911 He composed mainly for the organ. His output includes 8 sonatas.He also wrote masses, 18 Pieces dans differents stlyles pour orgue, motets, 12 L'Organiste Pratique pour harmonium, He includes impressionistic uses of dominant 7th chords. He is unique with his registration, and his harmonic ideas. His music requires great technique like in his Organ Sonatas.

For details, see the Alexandre Guilmant article on Wikipedia.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year

Background and General Perspectives on Performing Guilmant Organ Works

Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

  • Sonata 1 Op. 42
 * https://www.youtube.com/watch?v=82EVaO2XGQ8
  • Cantilene Pastorale Op. 15 No. 3
 * https://www.youtube.com/watch?v=hc3szD4CB3E
  • Morceau Symphonique Op. 88 for Trombone and Organ
 * https://www.youtube.com/watch?v=b0CDiOowNNI

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.