Marche funèbre

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from Vingt-quatre Pièces en style libre by Louis Vierne

Background

In memory of Jules Bouval.

 G-sharp Minor
 6 pages

Registration and Organs

 G. Fonds 16', 8', 4', Anches préparées
 R. Fonds et Anches 16', 8', 4'
 Ped. Fonds 32', 16', 8', 4', Anches préparées
 Claviers accouplés. Tirasse R.

See the footnote in the "Notes" section at the bottom of the page. [1]

Fingering and Pedaling

 Pedaling throughout
 Some sections alternate between pedal and manual in every measure, i.e., two beats pedal, two beats manual
 Minimal expression pedal

Articulation and Phrasing

"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[2]


Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[3]

Ornamentation

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Tempo and Meter

 4/4, Maestoso, quarter note = 50

Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. This footnote was entered in the "Registration and Organs" article.
  2. Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
  3. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.