Prelude and Fugue No. 1: Difference between revisions

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==Background==
==Background==


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"The prelude is a monothematic movement that combines the imitative style of Johann Sebastian Bach and free, nineteenth-century development.  The vigorous theme is introduced in the first four measures and recurs in imitation throughout the work."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.635.</ref>
 
"The C-minor fugue is the improvisation for Thomas Attwood at St. Paul's Cathedral in 1833 and later arranged for organ duet (1835).  Mendelssohn now revised it a third time on 1 December 1836, to make it the initial fugue in his published collection of preludes and fugues for organ.  The fugue obviously had a special appeal for Mendelssohn."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.635.</ref>


==Registration and Organs==
==Registration and Organs==
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"Two contrasting dynamic levels alternate throughout the fugue, identifying subject entries and episodes (forte for subject entries in mm. 1-23, 29-45, 51-65 and mezzo forte for episodes in mm. 24-29, 45-51).  Although manual changes are not specified, these indications certainly encourage them."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.636.</ref>
 
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>


==Fingering and Pedaling==
==Fingering and Pedaling==
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==Tempo and Meter==
==Tempo and Meter==
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"Although the fugue is in 12/8 meter, it is not representative of the giguelike style of fugues by Buxtehude and Bach in the same meter."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.636.</ref>


==Scores and Editions==
==Scores and Editions==

Latest revision as of 02:19, 27 February 2015

by Felix Mendelssohn

Background

"The prelude is a monothematic movement that combines the imitative style of Johann Sebastian Bach and free, nineteenth-century development. The vigorous theme is introduced in the first four measures and recurs in imitation throughout the work."[1]

"The C-minor fugue is the improvisation for Thomas Attwood at St. Paul's Cathedral in 1833 and later arranged for organ duet (1835). Mendelssohn now revised it a third time on 1 December 1836, to make it the initial fugue in his published collection of preludes and fugues for organ. The fugue obviously had a special appeal for Mendelssohn."[2]

Registration and Organs

"Two contrasting dynamic levels alternate throughout the fugue, identifying subject entries and episodes (forte for subject entries in mm. 1-23, 29-45, 51-65 and mezzo forte for episodes in mm. 24-29, 45-51). Although manual changes are not specified, these indications certainly encourage them."[3]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

"Although the fugue is in 12/8 meter, it is not representative of the giguelike style of fugues by Buxtehude and Bach in the same meter."[4]

Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.635.
  2. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.635.
  3. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.636.
  4. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.636.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.