Prelude and Fugue No. 3: Difference between revisions

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By [[Felix Mendelssohn]]
by [[Felix Mendelssohn]]


==''General Perspectives on Performing These Organ Works''==
==Background==
''(For comments on a specific piece or genre, use the "List of Organ Works" above to navigate to that page.)''


Replace this text with any general perspectives that do not fit under the categories listed below
Prelude No. 3 is a "grand, toccata-like work" with free material that "alternates with a polyphonic texture in which a subject and recurring countersubject are treated throughout."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.637.</ref>
 
The fugue was originally written in 1833 and revised for Op. 37.  The structure of it is similar to the other two fugues.<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.637.</ref>


==Registration and Organs==
==Registration and Organs==
Replace this text any specific information on registration and organs
The dynamic marking is forte and registration should be selected accordingly.
 
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>


==Fingering and Pedaling==
==Fingering and Pedaling==
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==Tempo and Meter==
==Tempo and Meter==
Replace this text with any specific information on tempo and meter
Prelude = Allegro


==Scores and Editions==
==Scores and Editions==

Latest revision as of 02:37, 27 February 2015

by Felix Mendelssohn

Background

Prelude No. 3 is a "grand, toccata-like work" with free material that "alternates with a polyphonic texture in which a subject and recurring countersubject are treated throughout."[1]

The fugue was originally written in 1833 and revised for Op. 37. The structure of it is similar to the other two fugues.[2]

Registration and Organs

The dynamic marking is forte and registration should be selected accordingly.

Fingering and Pedaling

Replace this text with any specific information on fingering and pedaling

Articulation and Phrasing

Replace this text with any specific information on articulation and phrasing

Ornamentation

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Tempo and Meter

Prelude = Allegro

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

  1. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.637.
  2. Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.637.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.