Richard Elliott: Difference between revisions

From Organ Playing Wiki
Jump to navigationJump to search
Line 67: Line 67:
|Pastorale on a Theme by Mendelssohn (Organ solo) || Y || Lorenz A
|Pastorale on a Theme by Mendelssohn (Organ solo) || Y || Lorenz A
|-
|-
|Prelude on Deliverance (Organ solo) || Y || BYU (OrganTutor)
|Prelude on Deliverance (Organ solo) || Y || Ard Publications (OrganTutor)
|-
|-
|Shall We Gather at the River (Organ solo) || N ||
|Shall We Gather at the River (Organ solo) || N ||

Revision as of 18:17, 8 December 2014

Synopsis

American LDS organist and composer

  • 1957 born in Baltimore, Maryland, USA.
  • 1966-1975 studied in the preparatory division at the Peabody Conservatory in Baltimore.
  • As a teenager, Elliott was organist for his local Lutheran church and performed in a rock band.
  • 1978-1981 assistant organist to Keith Chapman at the John Wanamaker Department Store (now Macy’s) in Philadelphia, home to the world’s largest functioning pipe organ.
  • 1980 received his BMus from the Curtis Institute of Music in Philadelphia.
  • 1985; 1990 received his MM and DMA respectively from the Eastman School of Music in Rochester, New York. Elliott's organ teachers have included David Craighead, Dale Krider, William Watkins, and John Weaver.
  • 1988-1991 instructor, then assistant professor of organ at Brigham Young University in Provo, Utah.
  • 1991 became assistant organist, then principal organist for the Mormon Tabernacle Choir in Salt Lake City, Utah.

Elliott's musical language is influenced by his exposure to gospel and rock music as a teenager, and also by his impressive improvisational and pedal skills. His more lively pieces tend to be virtuosic and improvisational in style. Many of his pieces are great hits with audiences, and show a distinctive sense of humor. He has also written a number of useful teaching pieces for beginning organists.

For details, see the Wikipedia article on Richard Elliott. There is also an article about Elliott's organ career here.

List of Organ Works

Click to sort by title, whether published, or publisher
Title Published? Publisher
How Firm a Foundation (Hymn harmonization) Y WardOrganist.com
We're Not Ashamed (Longhurst; Hymn harmonization) N
Angels We Have Heard on High (Organ solo) N
Battle Cry of Freedom (Rally 'Round the Flag; Organ solo) N
Come, Come Ye Saints (Organ solo) N
Every Time I Feel the Spirit (Organ solo) Y Lorenz A
Go Tell it on the Mountain (Organ solo) Y OrganMusicDownloads.com
God of Abraham Praise (Yigdal; Organ solo) Y Lorenz A
God Rest Ye Merry, Gentlemen (Organ solo) N
Good King Wenceslas (Organ solo) Y OrganMusicDownloads.com
Holiday Hoedown (Organ solo) N
How Firm a Foundation (Organ solo) Y WardOrganist.com
Hymn to Joy (Organ solo) Y Jackman Music Corp.
I Got Rhythm (Organ solo) N
I Need Thee Every Hour (Organ solo) Y Lorenz A
I Saw Three Ships (Organ solo) Y OrganMusicDownloads.com
Ich bin ein Utah Mann (Organ solo) N
Israel, Israel, God Is Calling ( Organ solo) Y Jackman
Jesus, Savior, Pilot Me (Organ solo) N
Kuguargesang ("Cougar Song:" Organ solo) N
Nearer, My God, to Thee (Organ solo) Y Lorenz A
Pastorale on a Theme by Mendelssohn (Organ solo) Y Lorenz A
Prelude on Deliverance (Organ solo) Y Ard Publications (OrganTutor)
Shall We Gather at the River (Organ solo) N
Shepherds' Dance (Organ solo) N
Simple Gifts (Organ solo) Y Jackman
Sing Praise to God, Who Reigns Above (Organ solo) Y Lorenz A
Slane (Organ solo) Y Jackman
Teach Me to Walk (Organ solo) Y Jackman
We Thank Thee, O God, For a Prophet (Organ solo) N
When Johnny Comes Marching Home (Organ solo) N
Title Published? Publisher

Background and General Perspectives on Performing These Organ Works

Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Improvisation on Hymn to Joy: https://www.youtube.com/watch?v=Szwm-WfvVSc

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.