Talk:Charles-Marie Widor: Difference between revisions

Revision as of 20:37, 19 October 2011 (view source) WikiAdmin (talk \| contribs) (Created page with "As to the metronome markings, they are indicative of the upper limit—not to be exceeded. My feeling is that he may have determined them at the piano. Both Widor and Guilmant ...")		Latest revision as of 23:02, 19 October 2011 (view source) WikiAdmin (talk \| contribs) (Blanked the page)
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	As to the metronome markings, they are indicative of the upper limit—not to be exceeded. My feeling is that he may have determined them at the piano. Both Widor and Guilmant commented that their metronome markings were too fast, that they were young when they wrote them! Of course, you must take into account the organ you are playing—the type of action and timbral character—the acoustical setting, and above all musicality and articulations. ([[User:WikiAdmin\|WikiAdmin]] citing John Near)

Latest revision as of 23:02, 19 October 2011