Complainte - Revision history

Kkiller 77: /* Free Online */

2015-04-13T17:27:26Z

Free Online

← Older revision		Revision as of 17:27, 13 April 2015
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	===Free Online===		===Free Online===
	[https://www.youtube.com/watch?v=fdY6dUdB3EE ~~Youtube~~]		[https://www.youtube.com/watch?v=fdY6dUdB3EE Ben van Oosten at Saint-Antoine des Quinze-Vingts, Paris]

	===Pay to Listen===		===Pay to Listen===

2015-04-13T17:12:21Z

Free Online

← Older revision		Revision as of 17:12, 13 April 2015
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	===Free Online===		===Free Online===
	[https://www.youtube.com/watch?v=fdY6dUdB3EE]		[https://www.youtube.com/watch?v=fdY6dUdB3EE Youtube]

	===Pay to Listen===		===Pay to Listen===

2015-04-13T17:11:41Z

Free Online

← Older revision		Revision as of 17:11, 13 April 2015
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	===Free Online===		===Free Online===
	~~Replace this text with any specific information on online recordings that are available free~~		[https://www.youtube.com/watch?v=fdY6dUdB3EE]

	===Pay to Listen===		===Pay to Listen===

2015-04-01T02:51:11Z

Registration and Organs

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	The following registration indications are given in the score:		The following registration indications are given in the score:
	<blockquote>		<blockquote>
	G. Fonds 8 doux Nasard<BR>		G. Fonds 8 doux, Nasard<BR>
	R. Flutes 8', 4'<BR>		R. Flutes 8', 4'<BR>
	Ped. Fonds doux 16', 8'<BR>		Ped. Fonds doux 8', 16'<BR>
	Tirasse G.<BR>		Tirasse G.<BR>
	</blockquote>		</blockquote>
			On the Great you will want just the softest 8' stops. On the Swell you will want an 8' and a 4' flute. On the Pedal you will want a soft 8' stop and a soft 16' stop, probably both flutes. You will want to start with the Great coupled to the Pedal, and the Swell box closed. Whenever you see the letter "G" on the score, play the manual parts on the Great. When you see an "R", play the manual parts on the Swell. Whenever "Ped." appears below the staff, play the lowest notes on the pedal. When "Man." appears, play all the notes on the manuals. <BR>
			<BR>
			Toward the end of the piece, while playing the last section that is played on the Great, open the Swell box. Then for the last section on the Swell, remove the Great to Pedal coupler. About four measures from the end you will need to effect a diminuendo by smoothly closing the Swell box.

	==Fingering and Pedaling==		==Fingering and Pedaling==

2015-04-01T02:41:36Z

Registration and Organs

← Older revision		Revision as of 02:41, 1 April 2015
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	==Registration and Organs==		==Registration and Organs==
	G. Fonds 8 doux Nasard		The following registration indications are given in the score:
	R. Flutes 8', 4'		<blockquote>
	Ped. Fonds doux 16', 8'		G. Fonds 8 doux Nasard<BR>
	Tirasse G.		R. Flutes 8', 4'<BR>
			Ped. Fonds doux 16', 8'<BR>
			Tirasse G.<BR>
			</blockquote>

	==Fingering and Pedaling==		==Fingering and Pedaling==

2015-04-01T02:35:42Z

Articulation and Phrasing

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	Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>		Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, ''Louis Vierne: Organist of Notre Dame Cathedral'', 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>

	==Ornamentation==		==Ornamentation==

2015-04-01T02:30:27Z

Articulation and Phrasing

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	==Articulation and Phrasing==		==Articulation and Phrasing==
	"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'~~CEuvre~~ d'Orgue de J.S. Bach," ''~~CEuvres~~ pour ~~ORgue~~ de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>		"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'Œuvre d'Orgue de J.S. Bach," ''Œuvres pour Orgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>

2015-04-01T02:27:15Z

Scores and Editions

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	==Scores and Editions==		==Scores and Editions==
	~~Replace this text with any specific information on scores and editions~~
			[[File:24_Pieces_en_style_libre,_No._3_-_Complainte.pdf]]

	==Recordings==		==Recordings==

2015-02-28T00:15:24Z

Registration and Organs

← Older revision		Revision as of 00:15, 28 February 2015
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	Ped. Fonds doux 16', 8'		Ped. Fonds doux 16', 8'
	Tirasse G.		Tirasse G.

	~~''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>~~

	==Fingering and Pedaling==		==Fingering and Pedaling==

2014-03-27T21:19:41Z

Pay to Listen

← Older revision		Revision as of 21:19, 27 March 2014
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	===Pay to Listen===		===Pay to Listen===
	~~Replace this text with any specific information on online recordings that are available for a fee~~		''A Notre-Dame de Paris: Organ Works by Vierne'', Pierre Moreau, $0.99 [http://www.classicalarchives.com/album/3481801010721.html MP3 Album]

	==Other Resources==		==Other Resources==