Postlude - Revision history

Peters: /* Registration and Organs */

2015-02-28T00:23:06Z

Registration and Organs

← Older revision		Revision as of 00:23, 28 February 2015
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	Ped. Fonds et anches 16', 8', 4'		Ped. Fonds et anches 16', 8', 4'
	Claviers accouplés. Tirasses		Claviers accouplés. Tirasses

	~~''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>~~

	==Fingering and Pedaling==		==Fingering and Pedaling==

Peters: /* Articulation and Phrasing */

2014-03-20T05:51:16Z

Articulation and Phrasing

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	==Articulation and Phrasing==		==Articulation and Phrasing==
	"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>		"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>


	Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>		Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>

Peters: /* Articulation and Phrasing */

2014-03-20T05:50:49Z

Articulation and Phrasing

← Older revision		Revision as of 05:50, 20 March 2014
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	"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>		"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>

	Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>		Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>

	==Ornamentation==		==Ornamentation==

Peters: /* Articulation and Phrasing */

2014-03-20T05:49:27Z

Articulation and Phrasing

← Older revision		Revision as of 05:49, 20 March 2014
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	==Articulation and Phrasing==		==Articulation and Phrasing==
	"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>		"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>

			Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>

	==Ornamentation==		==Ornamentation==

Peters: /* Articulation and Phrasing */

2014-03-20T05:45:29Z

Articulation and Phrasing

← Older revision		Revision as of 05:45, 20 March 2014
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	==Articulation and Phrasing==		==Articulation and Phrasing==
	~~Replace this text with any specific information on articulation and phrasing~~		"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>

	==Ornamentation==		==Ornamentation==

Peters: /* Tempo and Meter */

2014-03-20T05:38:26Z

Tempo and Meter

← Older revision		Revision as of 05:38, 20 March 2014
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	==Tempo and Meter==		==Tempo and Meter==
	~~Replace this text with any specific information on tempo and meter~~		4/4, Quasi fantasia Largo (m. 1), Vivace, quarter note = 138

	==Scores and Editions==		==Scores and Editions==

Peters: /* Fingering and Pedaling */

2014-03-20T05:37:42Z

Fingering and Pedaling

← Older revision		Revision as of 05:37, 20 March 2014
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	==Fingering and Pedaling==		==Fingering and Pedaling==
	~~Replace this text with any specific information~~ on ~~fingering~~ and ~~pedaling~~		Pedaling on about three-and-a-half pages
			Minimal expression pedal

	==Articulation and Phrasing==		==Articulation and Phrasing==

Peters: /* Registration and Organs */

2014-03-20T05:37:01Z

Registration and Organs

← Older revision		Revision as of 05:37, 20 March 2014
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	==Registration and Organs==		==Registration and Organs==
	~~Replace this text any specific information on registration and organs~~		G.R. Fonds et anches 8', 4'
			Ped. Fonds et anches 16', 8', 4'
			Claviers accouplés. Tirasses

	''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>		''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>

Peters: /* Background */

2014-03-20T05:36:17Z

Background

← Older revision		Revision as of 05:36, 20 March 2014
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	==Background==		==Background==
	~~Replace this text with any general perspectives that do not fit under the categories listed below~~		Dedicated to Emile Poillot.

			B Minor
			5 pages

	==Registration and Organs==		==Registration and Organs==

WikiAdmin at 20:13, 23 March 2012

2012-03-23T20:13:07Z

← Older revision		Revision as of 20:13, 23 March 2012
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	from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]]		from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]]

	==~~General Perspectives on Performing This Piece~~==		==Background==

	Replace this text with any general perspectives that do not fit under the categories listed below		Replace this text with any general perspectives that do not fit under the categories listed below