Charles-Marie Widor: Difference between revisions
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==Synopsis== | ==Synopsis== | ||
French composer, organist, teacher | French composer, organist, teacher | ||
*1844 born in Lyon | * 1844, born in Lyon, France | ||
*1863 Brussels | * 1863, Brussels, studied organ with Lemmens and composition with Fétis | ||
*to 1937 Paris | * 1870, Paris, appointed provisional organist at St. Sulpice | ||
* 1890, Paris, professor of organ at Paris Conservatoire | |||
* 1896, Paris, professor of composition at Paris Conservatoire | |||
* 1910, elected to the Académie des Beaux-Arts | |||
* 1914, became permanent secretary to Académie des Beaux-Arts | |||
* 1937, died in Paris, France | |||
For details, see the [http://en.wikipedia.org/wiki/Charles_Marie_Widor Wikipedia article]. | Charles-Marie Widor was a great French composer of the late Romantic tradition. His father, the organist of St. François, was his first teacher. He later studied with Jacques Lemmens in Brussels. Even as a boy, Widor was a skilled improviser. By 1860, at age 16, he replaced his father as the organist at St François. In 1869 he became the organist at St. Sulpice, a position he did not relinquish until 1934 - he was 90 years old. In 1890 Widor succeeded Franck as a professor of organ at the Paris Conservatory. Among his pupils was the famed Albert Schweitzer. | ||
Widor was the first great composer in the symphonic organ style. His ten organ symphoniesp - his most important musical contribution - are all large-scale concert works. Many employ the French toccata style, which features fast sixteenth note figurations over solo pedal. Typical of Widor is bravura piano technique in the organ medium. Widor only included religious themes in his final 2 symphonies, the Symphonie Gothique (op. 70) and the Symphonie Romaine (op. 73). | |||
For details, see the [http://en.wikipedia.org/wiki/Charles_Marie_Widor Wikipedia article on Charles-Marie Widor]. | |||
==List of Organ Works== | ==List of Organ Works== | ||
| Line 14: | Line 23: | ||
! scope="col" | Opus | ! scope="col" | Opus | ||
! scope="col" | Title | ! scope="col" | Title | ||
! scope="col" | | ! scope="col" | Year | ||
|- | |- | ||
| | | 13/1 || [[Symphonie pour orgue No. 1 (Hamelle)]] || 1872 | ||
|- | |- | ||
| | | 13/2 || [[Symphonie pour orgue No. 2 (Hamelle)]] || 1872 | ||
|- | |- | ||
| | | 13/3 || [[Symphonie pour orgue No. 3 (Hamelle)]] || 1872 | ||
|- | |- | ||
| | | 13/4 || [[Symphonie pour orgue No. 4 (Hamelle)]] || 1872 | ||
|- | |- | ||
| | | 31 || [[Marche américaine (transc. by Marcel Dupré: no. 11 from 12 Feuillets d’Album op. 31, Hamelle)]] || ???? | ||
|- | |- | ||
| | | 42/1 || [[Symphonie pour orgue No. 5 (Hamelle)]] || 1879 | ||
|- | |- | ||
| | | 42/2 || [[Symphonie pour orgue No. 6 (Hamelle)]] || 1879 | ||
|- | |- | ||
| | | 42/3 || [[Symphonie pour orgue No. 7 (Hamelle)]] || 1887 | ||
|- | |- | ||
| | | 42/4 || [[Symphonie pour orgue No. 8 (Hamelle)]] || 1879 | ||
|- | |- | ||
| | | 64 || [[Marche Nuptiale op. 64 (1892) (transc., from Conte d'Avril, Schott)]] || 1892 | ||
|- | |- | ||
| | | 70 || [[Symphonie Gothique pour orgue (No. 9), (Schott)]] || 1895 | ||
|- | |- | ||
| | | 73 || [[Symphonie Romane pour orgue (No. 10), (Hamelle)]] || 1900 | ||
|- | |- | ||
| | | 73+ || [[Bach's Memento (Hamelle)]] || 1925 | ||
|- | |- | ||
| | | 86 || [[Suite Latine (Durand)]] || 1927 | ||
|- | |- | ||
| | | 87 || [[Trois Nouvelles Pièces (Durand)]] || 1934 | ||
|} | |} | ||
=General Perspectives on Performing | ==Background and General Perspectives on Performing Widor Organ Works== | ||
(For | Replace this text with any general perspectives that do not fit under the categories listed below. ''(For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)'' | ||
==Registration and Organs== | ==Registration and Organs== | ||
Replace this text with information on registration and organs that might be applicable to the whole set of pieces | |||
''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" section</ref>'' | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces | |||
==Ornamentation== | ==Ornamentation== | ||
Replace this text with information on ornamentation that might be applicable to the whole set of pieces | |||
==Tempo and Meter== | ==Tempo and Meter== | ||
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces | |||
==Scores and Editions== | ==Scores and Editions== | ||
Replace this text with information on scores and editions that might be applicable to the whole set of pieces | |||
==Recordings== | ==Recordings== | ||
Replace this text with information on recordings | |||
===Free Online=== | ===Free Online=== | ||
* [http://youtu.be/J8vz1D_L_OE Toccata from 5th Symphony as performed by Charles Marie Widor] | |||
* [http://youtu.be/7eBAfCsAI4o Allegro from 6th Symphony as performed by Julian Bewig] | |||
* [http://youtu.be/XhSMgHaCYgQ Andante sostenuto from Symphonie gothique as performed by Neal Marple] | |||
* [http://youtu.be/9-WOJ4cPH60 Salvum fac populum tuum, op. 84 as performed by Dee Ann Crossley and the Augustana Brass] | |||
* Widor's 10th Symphony for Organ "Romane" - IV - Finale, [https://www.youtube.com/watch?v=m7_IIGgovZU, performed by Michel Bouvard] | |||
===Pay to Listen=== | ===Pay to Listen=== | ||
Replace this text with information on online recordings that are available for a fee | |||
==Other Resources== | ==Other Resources== | ||
Replace this text with information on other resources that might be pertinent to performing these pieces | |||
==Notes== | ==Notes== | ||
<references/> | <references/> | ||
''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' | |||
Latest revision as of 03:46, 11 April 2017
Synopsis
French composer, organist, teacher
- 1844, born in Lyon, France
- 1863, Brussels, studied organ with Lemmens and composition with Fétis
- 1870, Paris, appointed provisional organist at St. Sulpice
- 1890, Paris, professor of organ at Paris Conservatoire
- 1896, Paris, professor of composition at Paris Conservatoire
- 1910, elected to the Académie des Beaux-Arts
- 1914, became permanent secretary to Académie des Beaux-Arts
- 1937, died in Paris, France
Charles-Marie Widor was a great French composer of the late Romantic tradition. His father, the organist of St. François, was his first teacher. He later studied with Jacques Lemmens in Brussels. Even as a boy, Widor was a skilled improviser. By 1860, at age 16, he replaced his father as the organist at St François. In 1869 he became the organist at St. Sulpice, a position he did not relinquish until 1934 - he was 90 years old. In 1890 Widor succeeded Franck as a professor of organ at the Paris Conservatory. Among his pupils was the famed Albert Schweitzer.
Widor was the first great composer in the symphonic organ style. His ten organ symphoniesp - his most important musical contribution - are all large-scale concert works. Many employ the French toccata style, which features fast sixteenth note figurations over solo pedal. Typical of Widor is bravura piano technique in the organ medium. Widor only included religious themes in his final 2 symphonies, the Symphonie Gothique (op. 70) and the Symphonie Romaine (op. 73).
For details, see the Wikipedia article on Charles-Marie Widor.
List of Organ Works
| Opus | Title | Year |
|---|---|---|
| 13/1 | Symphonie pour orgue No. 1 (Hamelle) | 1872 |
| 13/2 | Symphonie pour orgue No. 2 (Hamelle) | 1872 |
| 13/3 | Symphonie pour orgue No. 3 (Hamelle) | 1872 |
| 13/4 | Symphonie pour orgue No. 4 (Hamelle) | 1872 |
| 31 | Marche américaine (transc. by Marcel Dupré: no. 11 from 12 Feuillets d’Album op. 31, Hamelle) | ???? |
| 42/1 | Symphonie pour orgue No. 5 (Hamelle) | 1879 |
| 42/2 | Symphonie pour orgue No. 6 (Hamelle) | 1879 |
| 42/3 | Symphonie pour orgue No. 7 (Hamelle) | 1887 |
| 42/4 | Symphonie pour orgue No. 8 (Hamelle) | 1879 |
| 64 | Marche Nuptiale op. 64 (1892) (transc., from Conte d'Avril, Schott) | 1892 |
| 70 | Symphonie Gothique pour orgue (No. 9), (Schott) | 1895 |
| 73 | Symphonie Romane pour orgue (No. 10), (Hamelle) | 1900 |
| 73+ | Bach's Memento (Hamelle) | 1925 |
| 86 | Suite Latine (Durand) | 1927 |
| 87 | Trois Nouvelles Pièces (Durand) | 1934 |
Background and General Perspectives on Performing Widor Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
- Toccata from 5th Symphony as performed by Charles Marie Widor
- Allegro from 6th Symphony as performed by Julian Bewig
- Andante sostenuto from Symphonie gothique as performed by Neal Marple
- Salvum fac populum tuum, op. 84 as performed by Dee Ann Crossley and the Augustana Brass
- Widor's 10th Symphony for Organ "Romane" - IV - Finale, performed by Michel Bouvard
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
