Cantabile (Op. 20): Difference between revisions

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from [[Deuxiѐme Symphonie in E Minor]] by [[Louis Vierne]]


==Background==


Vierne's program notes:


<ref>Smith, Rollin. ''Louis Vierne: Organist of Notre Dame Cathedral'', p. 523. Hillsdale, New York: Pendragon Press, 1999.</ref>
CANTABILE
 
"Written in the form of a symphonic adagio and employing two themes, the fourth movement begins with a little introduction in C-sharp minor, the first four notes of which later serve as the second theme.  After the exposition of the main theme, repeated twice in C-sharp minor: first in the soprano, then the tenor, the second theme appears in E major.  As it is developed, it passes through C, A-flat, E-flat, C minor, E minor, F major, and D major.  The first heme returns in C-sharp minor with a continuous figuration (taken from the second theme) in the bass.  This, ornamented, makes one last appearance in C-sharp minor to conclude the piece."<ref>Smith, Rollin. ''Louis Vierne: Organist of Notre Dame Cathedral'', p. 524. Hillsdale, New York: Pendragon Press, 1999.</ref>
 
==Registration and Organs==
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''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>
 
==Fingering and Pedaling==
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==Articulation and Phrasing==
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==Ornamentation==
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==Tempo and Meter==
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==Scores and Editions==
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==Recordings==
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===Free Online===
 
 
===Pay to Listen===
 
 
==Other Resources==
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==Notes==
<references/>
''This space is for automatic insertion of footnotes.  To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.''

Latest revision as of 23:30, 18 April 2014

from Deuxiѐme Symphonie in E Minor by Louis Vierne

Background

Vierne's program notes:

CANTABILE

"Written in the form of a symphonic adagio and employing two themes, the fourth movement begins with a little introduction in C-sharp minor, the first four notes of which later serve as the second theme. After the exposition of the main theme, repeated twice in C-sharp minor: first in the soprano, then the tenor, the second theme appears in E major. As it is developed, it passes through C, A-flat, E-flat, C minor, E minor, F major, and D major. The first heme returns in C-sharp minor with a continuous figuration (taken from the second theme) in the bass. This, ornamented, makes one last appearance in C-sharp minor to conclude the piece."[1]

Registration and Organs

Replace this text any specific information on registration and organs

See the footnote in the "Notes" section at the bottom of the page. [2]

Fingering and Pedaling

Replace this text with any specific information on fingering and pedaling

Articulation and Phrasing

Replace this text with any specific information on articulation and phrasing

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

Replace this text with any specific information on tempo and meter

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

Replace this text with any specific information on recordings

Free Online

Pay to Listen

Other Resources

Replace this text with any information on other resources pertinent to performing this piece

Notes

  1. Smith, Rollin. Louis Vierne: Organist of Notre Dame Cathedral, p. 524. Hillsdale, New York: Pendragon Press, 1999.
  2. This footnote was entered in the "Registration and Organs" article.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.