Marius Monnikendam: Difference between revisions
| Line 1: | Line 1: | ||
==Synopsis== | ==Synopsis== | ||
Dutch composer, organist, critic and teacher | Dutch composer, organist, critic and teacher | ||
* | * 1896 born in Haarlem, the Netherlands | ||
* | * attended the Amsterdam Conservatory, where he studied piano, organ, and composition. | ||
* | * received a state grant for study in Paris at the Schola Contorum with Vincent d’Indy and Louis Aubert. | ||
* | * 1927-32 taught composition and analysis at the Rotterdam Conservatory and the Amsterdam Conservatory. | ||
* 1933 became music critic and editor for the Rotterdam Catholic newspaper, De Maasbode, where he worked for over 30 years. | |||
* 1946 became a regular contributor to the new music journal Mens en melodie. | |||
* 1977 died in Heerlen, the Netherlands. | |||
For details, see the [http:// | Monnikendam's compositional style centered around a single idea in each work, which could be a chant melody, a folksong, or a rhythmic ostinato. His organ works include concertos, the ''Toccata no.2'' (1970) and ''Postludium super FeikE (A)sma'' (1974). Corliss Arnold mentions his ''Toccata'' and ''Cortege.'' Arnold says Monnikendam's work is tonal with interesting harmonies and dissonances, modality, and frequent use of parallel 4ths. | ||
For details, see the [http://nl.wikipedia.org/wiki/Marius_Monnikendam Wikipedia article on Marius Monnikendam]. | |||
==List of Organ Works== | ==List of Organ Works== | ||
Latest revision as of 03:31, 12 December 2014
Synopsis
Dutch composer, organist, critic and teacher
- 1896 born in Haarlem, the Netherlands
- attended the Amsterdam Conservatory, where he studied piano, organ, and composition.
- received a state grant for study in Paris at the Schola Contorum with Vincent d’Indy and Louis Aubert.
- 1927-32 taught composition and analysis at the Rotterdam Conservatory and the Amsterdam Conservatory.
- 1933 became music critic and editor for the Rotterdam Catholic newspaper, De Maasbode, where he worked for over 30 years.
- 1946 became a regular contributor to the new music journal Mens en melodie.
- 1977 died in Heerlen, the Netherlands.
Monnikendam's compositional style centered around a single idea in each work, which could be a chant melody, a folksong, or a rhythmic ostinato. His organ works include concertos, the Toccata no.2 (1970) and Postludium super FeikE (A)sma (1974). Corliss Arnold mentions his Toccata and Cortege. Arnold says Monnikendam's work is tonal with interesting harmonies and dissonances, modality, and frequent use of parallel 4ths.
For details, see the Wikipedia article on Marius Monnikendam.
List of Organ Works
| Title | Year |
|---|---|
| Toccata | (1936) |
| Tema con variazione per la notte di natale | (1951) - dedicated to Flor Peeters |
| Choral | (1951) |
| Toccata | (1957) |
| Inventiones 10 | (1959) |
| Marcia funebre | (1959) |
| Rondeña for pedal organ and timpani | (1960) |
| Sonata da Chiesa | (1961) |
| Cortège | (1963) |
| Toccata II | (1970) |
| Two themes with variations , variations of "Frere Jacques" and "Veni Creator Spiritus" | (1971) |
| Prelude "The Bells" | (1972) |
| Fugue sur les petits et les grands jeux | (1974) |
| Postlude (super Feike (A) Asma) | (1974) |
| Invocatio | (1975) |
| Voluntary | (1975) |
| Toccate concertante | (1976) |
| Toccate pent costa - "Veni Sancte Spiritus, et emitte caelitus lucis tuae radium" | (1977) |
| 12 Inventions | year |
| Choral | year |
| Title | year |
Background and General Perspectives on Performing These Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
