Prelude and Fugue No. 1: Difference between revisions
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==Background== | ==Background== | ||
"The prelude is a monothematic movement that combines the imitative style of Johann Sebastian Bach and free, nineteenth-century development. The vigorous theme is introduced in the first four measures and recurs in imitation throughout the work."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.635.</ref> | |||
"The C-minor fugue is the improvisation for Thomas Attwood at St. Paul's Cathedral in 1833 and later arranged for organ duet (1835). Mendelssohn now revised it a third time on 1 December 1836, to make it the initial fugue in his published collection of preludes and fugues for organ. The fugue obviously had a special appeal for Mendelssohn."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.635.</ref> | |||
==Registration and Organs== | ==Registration and Organs== | ||
"Two contrasting dynamic levels alternate throughout the fugue, identifying subject entries and episodes (forte for subject entries in mm. 1-23, 29-45, 51-65 and mezzo forte for episodes in mm. 24-29, 45-51). Although manual changes are not specified, these indications certainly encourage them."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.636.</ref> | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
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==Tempo and Meter== | ==Tempo and Meter== | ||
"Although the fugue is in 12/8 meter, it is not representative of the giguelike style of fugues by Buxtehude and Bach in the same meter."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.636.</ref> | |||
==Scores and Editions== | ==Scores and Editions== | ||
Latest revision as of 02:19, 27 February 2015
Background
"The prelude is a monothematic movement that combines the imitative style of Johann Sebastian Bach and free, nineteenth-century development. The vigorous theme is introduced in the first four measures and recurs in imitation throughout the work."[1]
"The C-minor fugue is the improvisation for Thomas Attwood at St. Paul's Cathedral in 1833 and later arranged for organ duet (1835). Mendelssohn now revised it a third time on 1 December 1836, to make it the initial fugue in his published collection of preludes and fugues for organ. The fugue obviously had a special appeal for Mendelssohn."[2]
Registration and Organs
"Two contrasting dynamic levels alternate throughout the fugue, identifying subject entries and episodes (forte for subject entries in mm. 1-23, 29-45, 51-65 and mezzo forte for episodes in mm. 24-29, 45-51). Although manual changes are not specified, these indications certainly encourage them."[3]
Fingering and Pedaling
Replace this text with any specific information on fingering and pedaling
Articulation and Phrasing
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Ornamentation
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Tempo and Meter
"Although the fugue is in 12/8 meter, it is not representative of the giguelike style of fugues by Buxtehude and Bach in the same meter."[4]
Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
- ↑ Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.635.
- ↑ Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.635.
- ↑ Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.636.
- ↑ Seaton, Douglass. The Mendelssohn Companion,London: Greenwood Press, 2001, p.636.
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