Cortège: Difference between revisions
(Created page with "by Louis Vierne, from Vingt-quatre Pièces en style libre ==General Perspectives on Performing This Piece== ''(For comments on a specific piece or genre, use the "Lis...") |
|||
| (11 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]] | |||
== | ==Background== | ||
Dedicated to Augustin Barie. | |||
C Minor | |||
4 pages | |||
2-6 voice texture (with 7 at the final cadence) | |||
==Registration and Organs== | ==Registration and Organs== | ||
G.R. Ped. Fonds et Anches 16', 8', 4' | |||
Claviers accouplés. Tirasses | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Sixteenth notes in the pedal | |||
Ten systems of manuals only | |||
Minimal expression pedal | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref> | |||
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | |||
==Ornamentation== | ==Ornamentation== | ||
| Line 21: | Line 28: | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
4/4, Allegro maestoso, quarter note = 66 | |||
==Scores and Editions== | ==Scores and Editions== | ||
Latest revision as of 00:14, 28 February 2015
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to Augustin Barie.
C Minor 4 pages 2-6 voice texture (with 7 at the final cadence)
Registration and Organs
G.R. Ped. Fonds et Anches 16', 8', 4' Claviers accouplés. Tirasses
Fingering and Pedaling
Sixteenth notes in the pedal Ten systems of manuals only Minimal expression pedal
Articulation and Phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[1]
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[2]
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
4/4, Allegro maestoso, quarter note = 66
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
Replace this text with any specific information on online recordings that are available free
Pay to Listen
Replace this text with any specific information on online recordings that are available for a fee
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
- ↑ Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
- ↑ Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
