Canon: Difference between revisions
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==Background== | ==Background== | ||
Dedicated to Henri Mullet. | |||
D Minor | |||
3 pages | |||
3-4 voice texture | |||
==Registration and Organs== | ==Registration and Organs== | ||
G. Flute 8', Salicional 8', Bourdon 8' | |||
R. Flutes 8', 4', Cornet et Octavin | |||
'' | Ped. Basses douces 16', 8, | ||
Claviers accouplés. Tirasse R. | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Pedaling throughout about two-thirds of the piece | |||
Some expression pedal | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref> | |||
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | |||
==Ornamentation== | ==Ornamentation== | ||
| Line 20: | Line 29: | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
2/4, Molto moderato, quarter note = 60 | |||
==Scores and Editions== | ==Scores and Editions== | ||
| Line 32: | Line 41: | ||
===Pay to Listen=== | ===Pay to Listen=== | ||
''A Notre-Dame de Paris: Organ Works by Vierne'', Pierre Moreau, $0.99 [http://www.classicalarchives.com/album/3481801010721.html MP3 Album] | |||
==Other Resources== | ==Other Resources== | ||
Latest revision as of 00:16, 28 February 2015
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to Henri Mullet.
D Minor 3 pages 3-4 voice texture
Registration and Organs
G. Flute 8', Salicional 8', Bourdon 8' R. Flutes 8', 4', Cornet et Octavin Ped. Basses douces 16', 8, Claviers accouplés. Tirasse R.
Fingering and Pedaling
Pedaling throughout about two-thirds of the piece Some expression pedal
Articulation and Phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[1]
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[2]
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
2/4, Molto moderato, quarter note = 60
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
Replace this text with any specific information on online recordings that are available free
Pay to Listen
A Notre-Dame de Paris: Organ Works by Vierne, Pierre Moreau, $0.99 MP3 Album
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
- ↑ Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
- ↑ Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
