Josef Rheinberger: Difference between revisions
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==Synopsis== | ==Synopsis== | ||
Liechtensteinian composer, organist, and teacher | |||
* | * 1839 born in Vaduz, Liechtenstein | ||
* | * Vaduz, 1847 or 1848, Organist at parish in Vaduz | ||
* | * Munich, 1851-1854, attended Conservitorium | ||
* | * Munich, 1859-1900, professor of organ and music theory at Munich Conservitorium | ||
* Munich, Organist at court of St. Michael | |||
* Munich, 1877-94, royal court conductor | |||
* 1901 died in Munich, Germany | |||
For details, see the [http://en.wikipedia.org/wiki/Josef_Rheinberger Josef Rheinberger article on Wikipedia]. | Rheinberger's music was different from his contemporaries. While they were composing for loud, joyful noises, Rheinberger aimed for a simple, clear voice. With simple texture and clear speaking voice, his compositions shine and sparkle. His trios (Opus 49 and 189), organ sonatas (various opuses), and his monologues (Opus 162). | ||
For details, see the following biographies on Josef Rheinberger: | |||
* [http://en.wikipedia.org/wiki/Josef_Rheinberger Josef Rheinberger article on Wikipedia] | |||
* [http://www.classical.net/music/comp.lst/acc/rheinberger.php Josef Rheinberger article on classical.net] | |||
* [http://www.bach-cantatas.com/Lib/Rheinberger-Josef.htm Josef Rheinberger article on bach-cantatas.com] | |||
==List of Organ Works== | ==List of Organ Works== | ||
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== | ==Background and General Perspectives on Performing Rheinberger Organ Works== | ||
''(For comments on a specific piece or genre, use the | Replace this text with any general perspectives that do not fit under the categories listed below. ''(For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)'' | ||
==Registration and Organs== | ==Registration and Organs== | ||
Replace this text | Replace this text with information on registration and organs that might be applicable to the whole set of pieces | ||
''See the footnote in the "Notes" section at the bottom of the page | ''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" section</ref>'' | ||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Replace this text with | Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces | ||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
Replace this text with | Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces | ||
==Ornamentation== | ==Ornamentation== | ||
Replace this text with | Replace this text with information on ornamentation that might be applicable to the whole set of pieces | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
Replace this text with | Replace this text with information on tempo and meter that might be applicable to the whole set of pieces | ||
==Scores and Editions== | ==Scores and Editions== | ||
Replace this text with | Replace this text with information on scores and editions that might be applicable to the whole set of pieces | ||
==Recordings== | ==Recordings== | ||
Replace this text with | Replace this text with information on recordings | ||
===Free Online=== | ===Free Online=== | ||
* [http://youtu.be/R626pGUQ4SY?t=4m15s Rolf Uusväli playing Monologue No. 5 in G Major (Op. 162, No. 5)] | |||
* [http://youtu.be/5e74uHZYqEg?t=9m34s Paul M. Weber playing Sonata No. 11, Mvmt. II (Op. 148, No. 2)] | |||
* [http://youtu.be/SfhghWsmZjk T. Orlova playing Trio in G Minor (Op. 49, No. 1)] | |||
===Pay to Listen=== | ===Pay to Listen=== | ||
Replace this text with | Replace this text with information on online recordings that are available for a fee | ||
==Other Resources== | ==Other Resources== | ||
Replace this text with | Replace this text with information on other resources that might be pertinent to performing these pieces | ||
==Notes== | ==Notes== | ||
<references/> | <references/> | ||
''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' | ''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' |
Latest revision as of 13:17, 15 September 2014
Synopsis
Liechtensteinian composer, organist, and teacher
- 1839 born in Vaduz, Liechtenstein
- Vaduz, 1847 or 1848, Organist at parish in Vaduz
- Munich, 1851-1854, attended Conservitorium
- Munich, 1859-1900, professor of organ and music theory at Munich Conservitorium
- Munich, Organist at court of St. Michael
- Munich, 1877-94, royal court conductor
- 1901 died in Munich, Germany
Rheinberger's music was different from his contemporaries. While they were composing for loud, joyful noises, Rheinberger aimed for a simple, clear voice. With simple texture and clear speaking voice, his compositions shine and sparkle. His trios (Opus 49 and 189), organ sonatas (various opuses), and his monologues (Opus 162).
For details, see the following biographies on Josef Rheinberger:
- Josef Rheinberger article on Wikipedia
- Josef Rheinberger article on classical.net
- Josef Rheinberger article on bach-cantatas.com
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing Rheinberger Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
- Rolf Uusväli playing Monologue No. 5 in G Major (Op. 162, No. 5)
- Paul M. Weber playing Sonata No. 11, Mvmt. II (Op. 148, No. 2)
- T. Orlova playing Trio in G Minor (Op. 49, No. 1)
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.