Johannes Brahms: Difference between revisions
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==Synopsis== | ==Synopsis== | ||
Biography | |||
The prestigious German composer Johannes Brahms (1833-1897) had a very humble introduction to the musical world. His first lessons were from his father; later, he studied with Eduard Marxen. As a youth, Brahms made money playing in taverns. Eventually, Brahms was heard by Liszt and Schumann. Both liked his style, but Brahms never became close to Liszt. Schumann and his wife, Clara, however, became fast friends and staunch supporters. In fact, Schumann was responsible for the publication of Brahms' three piano sonatas. Brahms traveled extensively over the next few years, settling in Vienna in 1878. | |||
Although he wrote only fifteen pieces for organ, they indicate Brahms' vast knowledge of the instrument. His organ compositions are deeply rooted in traditional forms. Labeled conservative by some, they possess artistic sensitivity few composers could hope to achieve. The Eleven Chorale Preludes, his most important contribution to organ literature, were composed in the last year of his life. Religiously based, they are unique in their beautiful reflection of the original hymn texts. | |||
Points of Interest | |||
Brahms received an honorary doctorate from Breslau University. Was offered another in 1876 from Cambridge University. He declined, owing to the distance. | |||
In 1886 he was made a member of the Knight of the Prussian "Orde pour le merité" (order for merit), and also elected a member of the Berlin Academy of Arts. | |||
Brahms is often dubbed the third "B"–Bach, Beethoven, and Brahms. | |||
For details, see the [http://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms article on Wikipedia]. | For details, see the [http://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms article on Wikipedia]. | ||
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! scope="col" | Year | ! scope="col" | Year | ||
|- | |- | ||
| | | WoO 7 || [[Chorale Prelude and Fugue on O Traurigkeit, o Herzeleid, in A Minor]] || 1858, 1873 | ||
|- | |- | ||
| | | WoO 8 || [[Fugue in A♭ Minor]] || 1856 | ||
|- | |- | ||
| | | WoO 9 || [[Prelude and Fugue in A Minor]] || 1856 | ||
|- | |- | ||
| | | WoO 10 || [[Prelude and Fugue in G Minor]] || 1857 | ||
|- | |- | ||
| Op. | | Op. 122 || [[11 Chorale Preludes]] || 1896 | ||
|} | |} | ||
== | ==Background and General Perspectives on Performing Brahms Organ Works== | ||
''(For comments on a specific piece or genre, use the | Replace this text with any general perspectives that do not fit under the categories listed below. ''(For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)'' | ||
==Registration and Organs== | ==Registration and Organs== | ||
Replace this text | Replace this text with information on registration and organs that might be applicable to the whole set of pieces | ||
''See the footnote in the "Notes" section at the bottom of the page | ''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" section</ref>'' | ||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Replace this text with | Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces | ||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
Replace this text with | Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces | ||
==Ornamentation== | ==Ornamentation== | ||
Replace this text with | Replace this text with information on ornamentation that might be applicable to the whole set of pieces | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
Replace this text with | Replace this text with information on tempo and meter that might be applicable to the whole set of pieces | ||
==Scores and Editions== | ==Scores and Editions== | ||
Replace this text with | Replace this text with information on scores and editions that might be applicable to the whole set of pieces | ||
==Recordings== | ==Recordings== | ||
Replace this text with | Replace this text with information on recordings | ||
===Free Online=== | ===Free Online=== | ||
Johannes Brahms: Es ist ein Ros entsprungen, [https://www.youtube.com/watch?v=yPoqaLAHFBI, performed by Sebastian Kuechler-Blessing is playing the Hauptwerk organ of Joerg Glebe ] | |||
Mein Jesu, Der Du Mich - Op. 122, No. 1, [https://www.youtube.com/watch?v=hc-NbbqTxLk&list=PL3z75lcd9soodOhHHc6vTcspLECqlR5Y_, performed by Bernard Lagacé Performing on the Wolff Organ At the Eighth Church of Christ, Scientist, New York City] | |||
===Pay to Listen=== | ===Pay to Listen=== | ||
Replace this text with | Replace this text with information on online recordings that are available for a fee | ||
==Other Resources== | ==Other Resources== | ||
Replace this text with | Replace this text with information on other resources that might be pertinent to performing these pieces | ||
==Notes== | ==Notes== | ||
<references/> | <references/> | ||
''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' | ''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' |
Latest revision as of 03:56, 11 April 2017
Synopsis
Biography
The prestigious German composer Johannes Brahms (1833-1897) had a very humble introduction to the musical world. His first lessons were from his father; later, he studied with Eduard Marxen. As a youth, Brahms made money playing in taverns. Eventually, Brahms was heard by Liszt and Schumann. Both liked his style, but Brahms never became close to Liszt. Schumann and his wife, Clara, however, became fast friends and staunch supporters. In fact, Schumann was responsible for the publication of Brahms' three piano sonatas. Brahms traveled extensively over the next few years, settling in Vienna in 1878.
Although he wrote only fifteen pieces for organ, they indicate Brahms' vast knowledge of the instrument. His organ compositions are deeply rooted in traditional forms. Labeled conservative by some, they possess artistic sensitivity few composers could hope to achieve. The Eleven Chorale Preludes, his most important contribution to organ literature, were composed in the last year of his life. Religiously based, they are unique in their beautiful reflection of the original hymn texts.
Points of Interest
Brahms received an honorary doctorate from Breslau University. Was offered another in 1876 from Cambridge University. He declined, owing to the distance. In 1886 he was made a member of the Knight of the Prussian "Orde pour le merité" (order for merit), and also elected a member of the Berlin Academy of Arts. Brahms is often dubbed the third "B"–Bach, Beethoven, and Brahms.
For details, see the Johannes Brahms article on Wikipedia.
List of Organ Works
Opus | Title | Year |
---|---|---|
WoO 7 | Chorale Prelude and Fugue on O Traurigkeit, o Herzeleid, in A Minor | 1858, 1873 |
WoO 8 | Fugue in A♭ Minor | 1856 |
WoO 9 | Prelude and Fugue in A Minor | 1856 |
WoO 10 | Prelude and Fugue in G Minor | 1857 |
Op. 122 | 11 Chorale Preludes | 1896 |
Background and General Perspectives on Performing Brahms Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Johannes Brahms: Es ist ein Ros entsprungen, performed by Sebastian Kuechler-Blessing is playing the Hauptwerk organ of Joerg Glebe
Mein Jesu, Der Du Mich - Op. 122, No. 1, performed by Bernard Lagacé Performing on the Wolff Organ At the Eighth Church of Christ, Scientist, New York City
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.