Orgelbüchlein: Difference between revisions
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by [[Johann Sebastian Bach]] | |||
[[Johann Sebastian Bach]] | |||
== | ==Choosing a piece== | ||
The Orgelbüchlein collection represents a wide range of technical difficulty: any piece, or level, is appropriate for the service playing exam. The table below assigns a difficulty grouping for each piece, 1 being the most accessible, 5 being the most challenging. (The groupings are adapted from Quentin Faulkner. <ref>Faulkner, Quentin, ed. J.S. Bach, Basic Organ Works: Orgelbüchlein and Three Free Works. Historical Techniques and Repertoire, vol. 2. Edited by Wayne Leopuld. Boston: Wayne Leupold Editions, 1997, 32-33. </ref>) | |||
==The Chorales== | ==The Chorales== | ||
{| class="sortable wikitable" border="1" | {| class="sortable wikitable" border="1" | ||
|+ Click to sort by BWV number, Title, or Season | |+ Click to sort by BWV number, Title, or Season | ||
|+ *Information is entered concerning this work | |||
|- | |- | ||
! scope="col" | BWV | ! scope="col" | BWV | ||
! scope="col" | Is there info? | |||
! scope="col" | Title | ! scope="col" | Title | ||
! scope="col" | Season | ! scope="col" | Season | ||
! scope="col" | Level of Difficulty | |||
|- | |- | ||
| 599 || [[Nun komm, der Heiden Heiland (BWV 599)|Nun komm, der Heiden Heiland]] || Advent | | 599 ||*|| [[Nun komm, der Heiden Heiland (BWV 599)|Nun komm, der Heiden Heiland]] || Advent || 1 | ||
|- | |- | ||
| 600 || [[Gott, durch deine Güte (Gottes-Sohn ist kommen)]] || Advent | | 600 || || [[Gott, durch deine Güte (Gottes-Sohn ist kommen) (BWV 600)|Gott, durch deine Güte (Gottes-Sohn ist kommen)]] || Advent || 4 | ||
|- | |- | ||
| 601 || [[Herr Christ, der ein'ge Gottes-Sohn (Herr Gott, nun sei gepreiset)]] || Advent | | 601 ||*|| [[Herr Christ, der ein'ge Gottes-Sohn (Herr Gott, nun sei gepreiset) (BWV 601)|Herr Christ, der ein'ge Gottes-Sohn (Herr Gott, nun sei gepreiset)]] || Advent || 3 | ||
|- | |- | ||
| 602 || [[Lob sei dem allmächtigen Gott]] || Advent | | 602 ||*|| [[Lob sei dem allmächtigen Gott (BWV 602)|Lob sei dem allmächtigen Gott]] || Advent || 3 | ||
|- | |- | ||
| 603 || [[Puer natus in Bethlehem]] || Christmas | | 603 || || [[Puer natus in Bethlehem (BWV 603)|Puer natus in Bethlehem]] || Christmas || 3 | ||
|- | |- | ||
| 604 || [[Gelobet seist du, Jesu Christ]] || Christmas | | 604 || || [[Gelobet seist du, Jesu Christ (BWV 604)|Gelobet seist du, Jesu Christ]] || Christmas || 1 | ||
|- | |- | ||
| 605 || [[Der Tag, der ist so freudenreich]] || Christmas | | 605 || || [[Der Tag, der ist so freudenreich (BWV 605)|Der Tag, der ist so freudenreich]] || Christmas || 4 | ||
|- | |- | ||
| 606 || [[Vom Himmel hoch, da komm' ich her]] || Christmas | | 606 || || [[Vom Himmel hoch, da komm' ich her (BWV 606)|Vom Himmel hoch, da komm' ich her]] || Christmas || 3 | ||
|- | |- | ||
| 607 || [[Vom Himmel kam der Engel Schar]] || Christmas | | 607 || || [[Vom Himmel kam der Engel Schar (BWV 607)|Vom Himmel kam der Engel Schar]] || Christmas || 4 | ||
|- | |- | ||
| 608 || [[In dulci jubilo]] || Christmas | | 608 ||*|| [[In dulci jubilo (BWV 608)|In dulci jubilo]] || Christmas || 4 | ||
|- | |- | ||
| 609 || [[Lobt Gott, ihr Christen, allzugleich]] || Christmas | | 609 || || [[Lobt Gott, ihr Christen, allzugleich (BWV 609)|Lobt Gott, ihr Christen, allzugleich]] || Christmas || 3 | ||
|- | |- | ||
| 610 || [[Jesu, meine Freude]] || Christmas | | 610 || || [[Jesu, meine Freude (BWV 610)|Jesu, meine Freude]] || Christmas || 2 | ||
|- | |- | ||
| 611 || [[Christum wir sollen loben schon]] || Christmas | | 611 || || [[Christum wir sollen loben schon (BWV 611)|Christum wir sollen loben schon]] || Christmas || 3 | ||
|- | |- | ||
| 612 || [[Wir Christenleut']] || Christmas | | 612 || || [[Wir Christenleut' (BWV 612)|Wir Christenleut']] || Christmas || 4 | ||
|- | |- | ||
| 613 || [[Helft mir Gottes Güte preisen]] || New Year | | 613 || || [[Helft mir Gottes Güte preisen (BWV 613)|Helft mir Gottes Güte preisen]] || New Year || 4 | ||
|- | |- | ||
| 614 || [[Das alte Jahr vergangen ist]] || New Year | | 614 ||*|| [[Das alte Jahr vergangen ist (BWV 614)|Das alte Jahr vergangen ist]] || New Year || 5 | ||
|- | |- | ||
| 615 || [[In dir ist Freude]] || New Year | | 615 || || [[In dir ist Freude (BWV 615)|In dir ist Freude]] || New Year || 4 | ||
|- | |- | ||
| 616 || [[Mit Fried' und Freud' ich fahr' dahin]] || Epiphany | | 616 || || [[Mit Fried' und Freud' ich fahr' dahin (BWV 616)|Mit Fried' und Freud' ich fahr' dahin]] || Epiphany || 3 | ||
|- | |- | ||
| 617 || [[Herr Gott, nun schleuß den Himmel auf]] || Epiphany | | 617 || || [[Herr Gott, nun schleuß den Himmel auf (BWV 617)|Herr Gott, nun schleuß den Himmel auf]] || Epiphany || 4 | ||
|- | |- | ||
| 618 || [[O Lamm Gottes, unschuldig]] || Lent | | 618 || || [[O Lamm Gottes, unschuldig (BWV 618)|O Lamm Gottes, unschuldig]] || Lent || 3 | ||
|- | |- | ||
| 619 || [[Christe, du Lamm Gottes]] || Lent | | 619 ||*|| [[Christe, du Lamm Gottes (BWV 619)|Christe, du Lamm Gottes]] || Lent || 2 | ||
|- | |- | ||
| 620 || [[Christus, der uns selig macht]] || Lent | | 620 || || [[Christus, der uns selig macht (BWV 620)|Christus, der uns selig macht]] || Lent || 4 | ||
|- | |- | ||
| 621 || [[Da Jesus an dem Kreuze stund]] || Lent | | 621 || || [[Da Jesus an dem Kreuze stund (BWV 621)|Da Jesus an dem Kreuze stund]] || Lent || 2 | ||
|- | |- | ||
| 622 || [[O Mensch, bewein dein Sünde groß]] || Lent | | 622 || || [[O Mensch, bewein dein Sünde groß (BWV 622)|O Mensch, bewein dein Sünde groß]] || Lent || 5 | ||
|- | |- | ||
| 623 || [[Wir danken dir, Herr Jesu Christ]] || Lent | | 623 || || [[Wir danken dir, Herr Jesu Christ (BWV 623)|Wir danken dir, Herr Jesu Christ]] || Lent || 3 | ||
|- | |- | ||
| 624 || [[Hilf Gott, daß mir's gelinge]] || Lent | | 624 || || [[Hilf Gott, daß mir's gelinge (BWV 624)|Hilf Gott, daß mir's gelinge]] || Lent || 4 | ||
|- | |- | ||
| 625 || [[Christ lag in Todesbanden]] || Easter | | 625 ||*|| [[Christ lag in Todesbanden (BWV 625)|Christ lag in Todesbanden]] || Easter || 2 | ||
|- | |- | ||
| 626 || [[Jesus Christus, unser Heiland]] || Easter | | 626 || || [[Jesus Christus, unser Heiland (BWV 626)|Jesus Christus, unser Heiland]] || Easter || 3 | ||
|- | |- | ||
| 627 || [[Christ ist erstanden]] || Easter | | 627 || || [[Christ ist erstanden (BWV 627)|Christ ist erstanden]] || Easter || 3 | ||
|- | |- | ||
| 628 || [[Erstanden ist der heil'ge Christ]] || Easter | | 628 || || [[Erstanden ist der heil'ge Christ (BWV 628)|Erstanden ist der heil'ge Christ]] || Easter || 3 | ||
|- | |- | ||
| 629 || [[Erschienen ist der herrliche Tag]] || Easter | | 629 || || [[Erschienen ist der herrliche Tag (BWV 629)|Erschienen ist der herrliche Tag]] || Easter || 3 | ||
|- | |- | ||
| 630 || [[Heut' triumphieret Gottes Sohn]] || Easter | | 630 || || [[Heut' triumphieret Gottes Sohn (BWV 630)|Heut' triumphieret Gottes Sohn]] || Easter || 4 | ||
|- | |- | ||
| 631 || [[Komm, Gott Schöpfer, heiliger Geist]] || Pentecost | | 631 || || [[Komm, Gott Schöpfer, heiliger Geist (BWV 631)|Komm, Gott Schöpfer, heiliger Geist]] || Pentecost || 3 | ||
|- | |- | ||
| 632 || [[Herr Jesu Christ, dich zu uns wend']] || Pentecost | | 632 || || [[Herr Jesu Christ, dich zu uns wend' (BWV 632)|Herr Jesu Christ, dich zu uns wend']] || Pentecost || 3 | ||
|- | |- | ||
| 633 || [[Liebster Jesu, wir sind hier]] || | | 633 || || [[Liebster Jesu, wir sind hier (BWV 633)|Liebster Jesu, wir sind hier]] || || 2 | ||
|- | |- | ||
| 634 || [[Liebster Jesu, wir sind hier (alt. version of BWV 633)]] || | | 634 || || [[Liebster Jesu, wir sind hier (alt. version of BWV 633) (BWV 634)|Liebster Jesu, wir sind hier (alt. version of BWV 633)]] || || 2 | ||
|- | |- | ||
| 635 || [[Dies sind die heil'gen zehn Gebot']] || | | 635 || || [[Dies sind die heil'gen zehn Gebot' (BWV 635)|Dies sind die heil'gen zehn Gebot']] || || 4 | ||
|- | |- | ||
| 636 || [[Vater unser im Himmelreich]] || | | 636 || || [[Vater unser im Himmelreich (BWV 636)|Vater unser im Himmelreich]] || || 3 | ||
|- | |- | ||
| 637 || [[Durch Adams Fall ist ganz verderbt]] || | | 637 ||*|| [[Durch Adams Fall ist ganz verderbt (BWV 637)|Durch Adams Fall ist ganz verderbt]] || || 3 | ||
|- | |- | ||
| 638 || [[Es ist das Heil uns kommen her]] || | | 638 || || [[Es ist das Heil uns kommen her (BWV 638)|Es ist das Heil uns kommen her]] || || 3 | ||
|- | |- | ||
| 639 || [[Ich ruf' zu dir, Herr Jesu Christ]] || | | 639 ||*|| [[Ich ruf' zu dir, Herr Jesu Christ (BWV 639)|Ich ruf' zu dir, Herr Jesu Christ]] || || 1 | ||
|- | |- | ||
| 640 || [[In dich hab' ich gehoffet, Herr]] || | | 640 || || [[In dich hab' ich gehoffet, Herr (BWV 640)|In dich hab' ich gehoffet, Herr]] || || 3 | ||
|- | |- | ||
| 641 || [[Wenn wir in höchsten Nöten sein]] || | | 641 || || [[Wenn wir in höchsten Nöten sein (BWV 641)|Wenn wir in höchsten Nöten sein]] || || 5 | ||
|- | |- | ||
| 642 || [[Wer nur den lieben Gott läßt walten]] || | | 642 || || [[Wer nur den lieben Gott läßt walten (BWV 642)|Wer nur den lieben Gott läßt walten]] || || 2 | ||
|- | |- | ||
| 643 || [[Alle Menschen müssen sterben]] || | | 643 ||*|| [[Alle Menschen müssen sterben (BWV 643)|Alle Menschen müssen sterben]] || || 2 | ||
|- | |- | ||
| 644 || [[Ach wie nichtig, ach wie flüchtig]] || | | 644 || || [[Ach wie nichtig, ach wie flüchtig (BWV 644)|Ach wie nichtig, ach wie flüchtig]] || || 4 | ||
|} | |} | ||
== | ==Background and General Perspectives== | ||
These 46 short chorales were composed while he was court organist at the ducal court in Weimar (1708–1714). | |||
Orgelbüchlein (literally translated, "Little Organ Book")--a collection of 46 of the most commonly-used Lutheran chorales. 164 settings were planned, but completed only 46. Most of them were composed during his Weimar period (c. 1713-1716), where he was a Chamber musician and later Concertmeister to Grand Duke Wilhelm Ernst. Weimar (1708-1717) was his most productive period in organ composition | |||
Organization of the planned collection: 2 halves: | |||
Part one traces the path of the Liturgical Year (Starting with Advent, Christmas, Epiphany, etc.). Part two uses chorales based on events of Christian life. Thus, the title "The Liturgical Year" is inappropriate. It may have been conceived of as a complete yearly cycle of chorale preludes. The entire book was laid out (164 settings), the pages ruled, and the titles placed. The layout of the book required that the pieces be short. | |||
Factors contributing to the historical importance of the collection: | |||
*A. Limitation of size ruled out the large "for-imitation" style of the past--had to be a more economical format | |||
*B. Motifs are often fragments of the chorale tune itself | |||
*C. Pictorial motifs brought the message of the text forward in the music. Examples: "Durch Adams Fall ist ganz verderbt [corrupted]" dissonant, descending sevenths in the pedal refer to mankind's fall and "Puer Natus in Bethlehem" includes rocking cradle motif. | |||
*D. Substantial, self-sustaining pedal part was rather unique | |||
*E. The collection served several functions: 1. Pedagogical--practice material for up-coming organists, 2. Service music--introductions for congregational hymns, 3. Examples for advanced pupils on how to improvise a chorale prelude. | |||
For details, see the [http://en.wikipedia.org/wiki/Orgelb%C3%BCchlein Wikipedia article] | |||
==Scores and Editions== | ==Scores and Editions== | ||
| Line 127: | Line 136: | ||
[http://imslp.info/files/imglnks/usimg/b/b8/IMSLP04104-Bach_-_BGA_-_BWV_599-644.pdf IMSLP, Bach Gesellschaft edition] | [http://imslp.info/files/imglnks/usimg/b/b8/IMSLP04104-Bach_-_BGA_-_BWV_599-644.pdf IMSLP, Bach Gesellschaft edition] | ||
:Free download | :Free download | ||
==Registration and Organs== | |||
Replace this text any information on registration and organs that might be pertinent to the whole set of pieces | |||
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | |||
==Fingering and Pedaling== | |||
Replace this text with any information on fingering and pedaling that might be pertinent to the whole set of pieces | |||
==Articulation and Phrasing== | |||
Replace this text with any information on articulation and phrasing that might be pertinent to the whole set of pieces | |||
==Ornamentation== | |||
Replace this text with any information on ornamentation that might be pertinent to the whole set of pieces | |||
==Tempo and Meter== | |||
Replace this text with any information on tempo and meter that might be pertinent to the whole set of pieces | |||
==Recordings== | ==Recordings== | ||
Replace this text with any information on recordings that might be pertinent to the whole set of pieces | |||
===Free Online=== | ===Free Online=== | ||
Replace this text with any information on online recordings that are available free | |||
===Pay to Listen=== | ===Pay to Listen=== | ||
| Line 135: | Line 166: | ||
==Other Resources== | ==Other Resources== | ||
Replace this text with any information on other resources pertinent to performing these works | |||
==Notes== | ==Notes== | ||
<references/> | <references/> | ||
''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' | |||
Latest revision as of 04:38, 8 February 2017
Choosing a piece
The Orgelbüchlein collection represents a wide range of technical difficulty: any piece, or level, is appropriate for the service playing exam. The table below assigns a difficulty grouping for each piece, 1 being the most accessible, 5 being the most challenging. (The groupings are adapted from Quentin Faulkner. [1])
The Chorales
Background and General Perspectives
These 46 short chorales were composed while he was court organist at the ducal court in Weimar (1708–1714).
Orgelbüchlein (literally translated, "Little Organ Book")--a collection of 46 of the most commonly-used Lutheran chorales. 164 settings were planned, but completed only 46. Most of them were composed during his Weimar period (c. 1713-1716), where he was a Chamber musician and later Concertmeister to Grand Duke Wilhelm Ernst. Weimar (1708-1717) was his most productive period in organ composition
Organization of the planned collection: 2 halves: Part one traces the path of the Liturgical Year (Starting with Advent, Christmas, Epiphany, etc.). Part two uses chorales based on events of Christian life. Thus, the title "The Liturgical Year" is inappropriate. It may have been conceived of as a complete yearly cycle of chorale preludes. The entire book was laid out (164 settings), the pages ruled, and the titles placed. The layout of the book required that the pieces be short.
Factors contributing to the historical importance of the collection:
- A. Limitation of size ruled out the large "for-imitation" style of the past--had to be a more economical format
- B. Motifs are often fragments of the chorale tune itself
- C. Pictorial motifs brought the message of the text forward in the music. Examples: "Durch Adams Fall ist ganz verderbt [corrupted]" dissonant, descending sevenths in the pedal refer to mankind's fall and "Puer Natus in Bethlehem" includes rocking cradle motif.
- D. Substantial, self-sustaining pedal part was rather unique
- E. The collection served several functions: 1. Pedagogical--practice material for up-coming organists, 2. Service music--introductions for congregational hymns, 3. Examples for advanced pupils on how to improvise a chorale prelude.
For details, see the Wikipedia article
Scores and Editions
- Completely fingered in early fingering styles. Includes helpful information on the original chorales and performing the works.
J. S. Bach: Orgelbuchlein (ed. Robert Clark and John David Peterson)
- Includes helpful information on the original chorales and performing the works.
IMSLP, Bach Gesellschaft edition
- Free download
Registration and Organs
Replace this text any information on registration and organs that might be pertinent to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page. [2]
Fingering and Pedaling
Replace this text with any information on fingering and pedaling that might be pertinent to the whole set of pieces
Articulation and Phrasing
Replace this text with any information on articulation and phrasing that might be pertinent to the whole set of pieces
Ornamentation
Replace this text with any information on ornamentation that might be pertinent to the whole set of pieces
Tempo and Meter
Replace this text with any information on tempo and meter that might be pertinent to the whole set of pieces
Recordings
Replace this text with any information on recordings that might be pertinent to the whole set of pieces
Free Online
Replace this text with any information on online recordings that are available free
Pay to Listen
William Porter at the 1723 Hildebrandt at Störmthal., including 10 other pieces from Das Orgelbuchlein.
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
