Carillon: Difference between revisions
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==Registration and Organs== | ==Registration and Organs== | ||
R. Fonds et Anches 8', 4', 2' | |||
G. Fonds et Anches 16', 8', 4' | |||
'' | Ped. Fonds et Anches 32', 16', 8', 4' | ||
Claviers accouplés. Tirasses | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Two pages of manuals only | |||
Five pages with pedal | |||
Minimal expression pedal | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
| Line 22: | Line 25: | ||
==Tempo and Meter== | ==Tempo and Meter== | ||
2/2, Allegro, quarter note = 126 | |||
==Scores and Editions== | ==Scores and Editions== | ||
Latest revision as of 00:22, 28 February 2015
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to á mon frére René Vierne.
The Carillon is the most popular of all the twenty-four pieces. It is also one of three of the twenty-four pieces that Vierne performed most frequently. This includes performance of it in a 1927 tour in America.[1]
Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."[2]
Registration and Organs
R. Fonds et Anches 8', 4', 2' G. Fonds et Anches 16', 8', 4' Ped. Fonds et Anches 32', 16', 8', 4' Claviers accouplés. Tirasses
Fingering and Pedaling
Two pages of manuals only Five pages with pedal Minimal expression pedal
Articulation and Phrasing
Replace this text with any specific information on articulation and phrasing
Ornamentation
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Tempo and Meter
2/2, Allegro, quarter note = 126
Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
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