Epithalame: Difference between revisions

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   Ped. Fonds doux 16', 8'
   Ped. Fonds doux 16', 8'
   Claviers accouplés. Tirasses
   Claviers accouplés. Tirasses
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>


==Fingering and Pedaling==
==Fingering and Pedaling==
Replace this text with any specific information on fingering and pedaling
  Pedaling throughout about three-fourths of the piece
  Significant expression pedal


==Articulation and Phrasing==
==Articulation and Phrasing==
Replace this text with any specific information on articulation and phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."<ref>Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," ''CEuvres pour ORgue de Bach'' (Paris: Éditions Maurice Senart, 1924) v.</ref>
 
 
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well.  He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"<ref>Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref>


==Ornamentation==
==Ornamentation==
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==Tempo and Meter==
==Tempo and Meter==
Replace this text with any specific information on tempo and meter
  4/4, Adagio sostenuto e molto espressivo, quarter note = 42


==Scores and Editions==
==Scores and Editions==

Latest revision as of 00:22, 28 February 2015

from Vingt-quatre Pièces en style libre by Louis Vierne

Background

Dedicated to André Renoux.

 B Major
 4 pages

Registration and Organs

 G. Fonds 8' sans montre
 R. Gambe et voix céleste
 Ped. Fonds doux 16', 8'
 Claviers accouplés. Tirasses

Fingering and Pedaling

 Pedaling throughout about three-fourths of the piece
 Significant expression pedal

Articulation and Phrasing

"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[1]


Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[2]

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

 4/4, Adagio sostenuto e molto espressivo, quarter note = 42

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

Replace this text with any specific information on recordings

Free Online

Replace this text with any specific information on online recordings that are available free

Pay to Listen

Replace this text with any specific information on online recordings that are available for a fee

Other Resources

Replace this text with any information on other resources pertinent to performing these works

Notes

  1. Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
  2. Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.