Jan Pieterszoon Sweelinck: Difference between revisions
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==Synopsis== | ==Synopsis== | ||
Sweelinck | Jan Pieterszoon Sweelinck (1562-1621), Dutch organist, harpsichordist, composer, and teacher, spent most of his life in Amsterdam. In 1580 he became the organist of the Oude Kerk (Old Church) succeeding his father, Pieter. Though he never ventured much out of Holland, Sweelinck's influence spread through the North German organ school via his students, who include Scheidt, Scheidemann, Praetorius, and Hasse. | ||
For details, see the [http://en.wikipedia.org/wiki/Jan_Pieterszoon_Sweelinck Jan Pieterszoon Sweelinck article | Toccatas, Fantasias, Pavanas, Ricercares, Echo Fantasies, and Variations are representative of Sweelinck's works. His compositional style was also highly influential. He was the first to use independent pedal parts, including fugue subjects in the pedal line. He took many important forms from around Europe, including the Italian ricercar and the English virginal style, expanding and developing them in ways unknown before. In fact, many of his pieces contain the embryo of the fugue form, later perfected by J. S. Bach. His compositions bridge the gap from the Renaissance to the Baroque periods. | ||
Members of the Sweelinck family served as organists of the Oude Kerk in Amsterdam for nearly one hundred consecutive years.<ref>Organ Composers Database [http://www.organ.byu.edu/composers/composerindex.html]</ref>. | |||
For additional details, see the [http://en.wikipedia.org/wiki/Jan_Pieterszoon_Sweelinck Jan Pieterszoon Sweelinck Wikipedia article]. | |||
==List of Organ Works== | ==List of Organ Works== | ||
{| class="sortable wikitable" border="1" | |||
|+ Click to sort by Title | |||
|- | |||
! scope="col" | Free Works | |||
|- | |||
| [[Echo fantasia (Dorian)]] | |||
|- | |||
| [[Echo fantasia (Aeolian)]] | |||
|- | |||
| [[Echo fantasia (Ionian)]] | |||
|- | |||
| [[Echo fantasia (Ionian) K 18]] | |||
|- | |||
| [[Echo fantasia (Dorian) K 15]] | |||
|- | |||
| [[Fantasia (Dorian) K 2]] | |||
|- | |||
| [[Fantasia (g-Dorian) K 3]] | |||
|- | |||
| [[Fantasia (a-Phrygian)]] | |||
|- | |||
| [[Fantasia (Mixolydian) K 8]] | |||
|- | |||
| [[Fantasia (g-Dorian) K 4]] | |||
|- | |||
| [[Fantasia (Mixolydian) K 9]] | |||
|- | |||
| [[Fantasia (g-Dorian)]] | |||
|- | |||
| [[Fantasia (Ionian)]] | |||
|- | |||
| [[Fantasia (Dorian)]] | |||
|- | |||
| [[Fantasia (Mixolydian) A 2]] | |||
|- | |||
| [[Fantasia chromatica (Dorian)]] | |||
|- | |||
| [[Hexachord fantasia (F-Ionian)]] | |||
|- | |||
| [[Fantasia (F-Ionian) K 33]] | |||
|- | |||
| [[Ricercar (Aeolian)]] | |||
|- | |||
| [[Toccata (Dorian)]] | |||
|- | |||
| [[Toccata (Aeolian) K 21]] | |||
|- | |||
| [[Toccata (Aeolian)]] | |||
|- | |||
| [[Toccata (Mixolydian)]] | |||
|- | |||
| [[Toccata (Ionian) K 30]] | |||
|- | |||
| [[Toccata (Ionian)]] | |||
|- | |||
| [[Toccata (g-Dorian) K 24]] | |||
|- | |||
| [[Toccata (g-Dorian) K 25]] | |||
|- | |||
| [[Toccata (Mixolydian) K 27]] | |||
|- | |||
| [[Toccata (Aeolian) K 29]] | |||
|- | |||
| [[Toccata (Ionian) K 32]] | |||
|- | |||
| [[Toccata (g-Dorian) K 72]] | |||
|- | |||
| [[Toccata (g-Dorian) K 26]] | |||
|- | |||
| [[Toccata (Dorian) K 26]] | |||
|- | |||
! scope="col" | Sacred Works | |||
|- | |||
| [[Allein Gott in der Höh sei Ehr, (4 variations by Sweelinck)]] | |||
|- | |||
| [[Allein zu dir, Herr Jesu Christ]] | |||
|- | |||
| [[Christe qui lux es et dies]] | |||
|- | |||
| [[Da pacem Domine in diebus nostris]] | |||
|- | |||
| [[Des boosdoenders wille seer quaet (Ps xxxvi: Du malin le mechant vouloir)]] | |||
|- | |||
| [[Erbarm dich mein, o Herre Gott]] | |||
|- | |||
| [[Ich ruf zu dir, Herr Jesu Christ]] | |||
|- | |||
| [[Ik heb den Heer lief (Ps cxvi: J’aime mon Dieu)]] | |||
|- | |||
| [[Nun freut euch, lieben Christen gmein]] | |||
|- | |||
| [[O mijn God, wilt mij nu bevrijden (Ps cxl: O Dieu, donne-moy delivrance)]] | |||
|- | |||
| [[Puer nobis nascitur (Ons is geboren een kindekijn)]] | |||
|- | |||
| [[Wij geloven in eenen God alleen (Wir glauben all an einem Gott)]] | |||
|- | |||
! scope="col" | Secular Works | |||
|- | |||
| [[Almande Chapelle]] | |||
|- | |||
| [[Engelse fortuin (Von der Fortuna werd ich getrieben)]] | |||
|- | |||
| [[Est-ce Mars]] | |||
|- | |||
| [[Ik voer al over Rijn (Ich fuhr mich über Rheine)]] | |||
|- | |||
| [[Mein junges Leben hat ein End]] | |||
|- | |||
| [[Onder een linde groen (Unter der Linden grüne)]] | |||
|- | |||
| [[Pavana hispanica]] | |||
|- | |||
| [[Pavana Lachrymae]] | |||
|- | |||
| [[Pavana Philippi]] | |||
|- | |||
| [[Poolse almande (Soll es sein)]] | |||
|- | |||
! scope="col" | Anonymous Works Attributed to Sweelinck | |||
|- | |||
| [[Echo fantasia (Ionian), attrib. Sweelinck by Seiffert ]] | |||
|- | |||
| [[Fantasia (F-Ionian), attrib. Sweelinck by Seiffert]] | |||
|- | |||
| [[Fantasia (Aeolian), attrib. Sweelinck by Seiffert]] | |||
|- | |||
| [[Toccata (Dorian), attrib. Sweelinck, see Dirksen]] | |||
|- | |||
| [[Toccata (Mixolydian), attrib. Sweelinck, see Dirksen]] | |||
|- | |||
| [[Heer, die ons hebt verstoten al (Ps lx: O Dieu, qui nous as deboutez), attrib. Sweelinck, see Breig,]] | |||
|- | |||
| [[Jesus Christus, unser Heiland, attrib. Sweelinck, see Dirksen]] | |||
|- | |||
| [[Mein Hüter und mein Hirt (Ps xxiii), attrib. Sweelinck, see Curtis]] | |||
|} | |||
==Background and General Perspectives on Performing Sweelinck Organ Works== | ==Background and General Perspectives on Performing Sweelinck Organ Works== | ||
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===Free Online=== | ===Free Online=== | ||
''Fantasia Cromatica,'' | ''Fantasia Cromatica,'' [https://www.youtube.com/watch?v=0qozHL3CAb8, performed by Helmut Walcha]. | ||
===Pay to Listen=== | ===Pay to Listen=== | ||
Latest revision as of 04:29, 2 February 2017
Synopsis
Jan Pieterszoon Sweelinck (1562-1621), Dutch organist, harpsichordist, composer, and teacher, spent most of his life in Amsterdam. In 1580 he became the organist of the Oude Kerk (Old Church) succeeding his father, Pieter. Though he never ventured much out of Holland, Sweelinck's influence spread through the North German organ school via his students, who include Scheidt, Scheidemann, Praetorius, and Hasse.
Toccatas, Fantasias, Pavanas, Ricercares, Echo Fantasies, and Variations are representative of Sweelinck's works. His compositional style was also highly influential. He was the first to use independent pedal parts, including fugue subjects in the pedal line. He took many important forms from around Europe, including the Italian ricercar and the English virginal style, expanding and developing them in ways unknown before. In fact, many of his pieces contain the embryo of the fugue form, later perfected by J. S. Bach. His compositions bridge the gap from the Renaissance to the Baroque periods.
Members of the Sweelinck family served as organists of the Oude Kerk in Amsterdam for nearly one hundred consecutive years.[1].
For additional details, see the Jan Pieterszoon Sweelinck Wikipedia article.
List of Organ Works
Background and General Perspectives on Performing Sweelinck Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page[2]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
Fantasia Cromatica, performed by Helmut Walcha.
Pay to Listen
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Other Resources
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Notes
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