Christ lag in Todesbanden (BWV 625): Difference between revisions
Kkiller 77 (talk | contribs) |
|||
| (7 intermediate revisions by one other user not shown) | |||
| Line 3: | Line 3: | ||
==Background== | ==Background== | ||
The text of this chorale comes from Martin Luther's paraphrase of the Easter sequence ''Victimae | The text of this chorale comes from Martin Luther's paraphrase of the Easter sequence ''Victimae paschali laudes''.<ref>Peter Williams, ''The Organ Music of J. S. Bach'', 2nd ed. (Cambridge: Cambridge University Press, 2003), 285.</ref> | ||
The text and mood of this chorale is one of great joy and triumph, celebrating life and victory over death. The English translation of the text is as follows: | |||
<blockquote> | |||
Christ lay in death's fetters,<BR> | |||
given up for our sin.<BR> | |||
He rose again<BR> | |||
and brought us life.<BR> | |||
Therefore let us be glad,<BR> | |||
praise and thank God,<BR> | |||
and sing Alleluia!<BR> | |||
Alleluia! <BR><ref>''Johann Sebastian Bach: Orgelbuchlein.'' Ed. Robert Clark and John David Peterson. (St. Louis, MO: Concordia, 1984), 90.</ref> | |||
</blockquote> | |||
==Registration and Organs== | ==Registration and Organs== | ||
To convey the feeling of triumph and joy, a big and full registration will help to convey this message. | |||
'' | Registration might include:<BR> | ||
Manual: 8', 4', 2' (Principals) + Mixture<BR> | |||
Pedal: 16', 8', 4' (Principals) + Reed | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Latest revision as of 01:52, 1 April 2015
from Das Orgelbüchlein by Johann Sebastian Bach
Background
The text of this chorale comes from Martin Luther's paraphrase of the Easter sequence Victimae paschali laudes.[1]
The text and mood of this chorale is one of great joy and triumph, celebrating life and victory over death. The English translation of the text is as follows:
Christ lay in death's fetters,
given up for our sin.
He rose again
and brought us life.
Therefore let us be glad,
praise and thank God,
and sing Alleluia!
Alleluia!
[2]
Registration and Organs
To convey the feeling of triumph and joy, a big and full registration will help to convey this message.
Registration might include:
Manual: 8', 4', 2' (Principals) + Mixture
Pedal: 16', 8', 4' (Principals) + Reed
Fingering and Pedaling
Replace this text with any specific information on fingering and pedaling
Articulation and Phrasing
Replace this text with any specific information on articulation and phrasing
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
Replace this text with any specific information on tempo and meter
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
James Kibbie, 1717 Trost organ, St. Walpurgis, Großengottern, Germany, using _____.
Pay to Listen
William Porter at the 1723 Hildebrandt at Störmthal., including 10 other pieces from Das Orgelbuchlein.
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
