Das alte Jahr vergangen ist (BWV 614): Difference between revisions
| (5 intermediate revisions by the same user not shown) | |||
| Line 9: | Line 9: | ||
That Thou hast kept us through the year,<BR> | That Thou hast kept us through the year,<BR> | ||
When danger and distress ere near.<ref>''Johann Sebastian Bach: Orgelbuchlein.'' Ed. Robert Clark and John David Peterson. (St. Louis, MO: Concordia, 1984), ____.</ref><BR> | When danger and distress ere near.<ref>''Johann Sebastian Bach: Orgelbuchlein.'' Ed. Robert Clark and John David Peterson. (St. Louis, MO: Concordia, 1984), ____.</ref><BR> | ||
<Blockquote><BR> | </Blockquote><BR> | ||
==Registration and Organs== | ==Registration and Organs== | ||
Written for two manuals and pedal:<BR> | |||
Manual I (Solo) Clairion or Oboe with soft 8' and 4' ''p''<BR> | |||
'' | Manual II (Accompaniment) 8', 4' flute ''pp''<BR> | ||
Pedal Soft 16', 8' flute'' pp'' | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
| Line 20: | Line 21: | ||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
According to Peter Williams, the chromatic lines are best played with a legato articulation characteristic of chromatic motifs. Note in BWV 614 how the perfect cadences, which are in fact strikingly regular and uncomplicated despite the overall mood, could then help by being detached..<ref>Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the ''Orgelbuchlein''," ''The American Organist'' 18, (September 1984), 45.</ref> This would emphasize the poignant legato of the chromatics appearing in other parts and at the same time would mark the lines of the chorale, which is not easily grasped even by those knowing the hymn's original melody which is now embellished | According to Peter Williams, the chromatic lines are best played with a legato articulation characteristic of chromatic motifs. Note in BWV 614 how the perfect cadences, which are in fact strikingly regular and uncomplicated despite the overall mood, could then help by being detached..<ref>Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the ''Orgelbuchlein''," ''The American Organist'' 18, (September 1984), 45.</ref> This would emphasize the poignant legato of the chromatics appearing in other parts and at the same time would mark the lines of the chorale, which is not easily grasped even by those knowing the hymn's original melody which is now embellished.<ref>Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the ''Orgelbuchlein''," ''The American Organist'' 18, (September 1984), 45.</ref> | ||
==Ornamentation== | ==Ornamentation== | ||
Latest revision as of 18:39, 2 March 2015
from Das Orgelbüchlein by Johann Sebastian Bach
Background
In Das alte Jahr vergangen ist the music sounds melancholy and the text is associated with the close of the calendar year.[1] The English translation of the text is as follows:
The old year now hath passed away;
We thank Thee, O our God to-day,
That Thou hast kept us through the year,
When danger and distress ere near.[2]
Registration and Organs
Written for two manuals and pedal:
Manual I (Solo) Clairion or Oboe with soft 8' and 4' p
Manual II (Accompaniment) 8', 4' flute pp
Pedal Soft 16', 8' flute pp
Fingering and Pedaling
Replace this text with any specific information on fingering and pedaling
Articulation and Phrasing
According to Peter Williams, the chromatic lines are best played with a legato articulation characteristic of chromatic motifs. Note in BWV 614 how the perfect cadences, which are in fact strikingly regular and uncomplicated despite the overall mood, could then help by being detached..[3] This would emphasize the poignant legato of the chromatics appearing in other parts and at the same time would mark the lines of the chorale, which is not easily grasped even by those knowing the hymn's original melody which is now embellished.[4]
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
Replace this text with any specific information on tempo and meter
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
James Kibbie, 1717 Trost organ, St. Walpurgis, Großengottern, Germany, using _____.
Pay to Listen
Replace this text with any specific information on online recordings that are available for a fee
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
- ↑ Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the Orgelbuchlein," The American Organist 18, (September 1984), 45.
- ↑ Johann Sebastian Bach: Orgelbuchlein. Ed. Robert Clark and John David Peterson. (St. Louis, MO: Concordia, 1984), ____.
- ↑ Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the Orgelbuchlein," The American Organist 18, (September 1984), 45.
- ↑ Peter Williams, "Suggestions for Playing the Works of Bach: Motifs in the Orgelbuchlein," The American Organist 18, (September 1984), 45.
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
