Prelude and Fugue No. 3: Difference between revisions
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==Background== | ==Background== | ||
Prelude No. 3 is a "grand, toccata-like work" with free material that "alternates with a polyphonic texture in which a subject and recurring countersubject are treated throughout."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p. | Prelude No. 3 is a "grand, toccata-like work" with free material that "alternates with a polyphonic texture in which a subject and recurring countersubject are treated throughout."<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.637.</ref> | ||
The fugue was originally written in 1833 and revised for Op. 37. The structure of it is similar to the other two fugues.<ref>Seaton, Douglass. ''The Mendelssohn Companion,''London: Greenwood Press, 2001, p.637.</ref> | |||
==Registration and Organs== | ==Registration and Organs== | ||
The dynamic marking is forte and registration should be selected accordingly. | |||
==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
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==Tempo and Meter== | ==Tempo and Meter== | ||
Prelude = Allegro | |||
==Scores and Editions== | ==Scores and Editions== | ||
Latest revision as of 02:37, 27 February 2015
Background
Prelude No. 3 is a "grand, toccata-like work" with free material that "alternates with a polyphonic texture in which a subject and recurring countersubject are treated throughout."[1]
The fugue was originally written in 1833 and revised for Op. 37. The structure of it is similar to the other two fugues.[2]
Registration and Organs
The dynamic marking is forte and registration should be selected accordingly.
Fingering and Pedaling
Replace this text with any specific information on fingering and pedaling
Articulation and Phrasing
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Ornamentation
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Tempo and Meter
Prelude = Allegro
Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
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