Antonio de Cabezón: Difference between revisions
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==Synopsis== | |||
Antonio de Cabezón (1510-1566) was a blind organist and composer. "Cabezón is ranked among the foremost keyboard performers and composers of his time. His music is rooted in the instrumental tradition of Spain and was composed for keyboard, plucked string instruments and ensembles (curiosos minestriles, ‘skilful minstrels’) that probably included string as well as wind players.....His compositions fall into four distinct groups and contribute to all the principal musical genres of the period. They include: (i) functional liturgical works including hymns, Kyrie verses, psalm settings, Magnificat settings and fabordones; (ii) free works (tientos); (iii) intabulations (canciones glosadas y motetes); and (iv) variations (discantes)."<ref>Oxford Music Online, http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/04511pg1?q=antonio+de+cabezon&search=quick&pos=1&_start=1#firsthit, accessed 16 January 2015.</ref> | |||
For additional details, see the [http://en.wikipedia.org/wiki/Antonio_de_Cabezón Antonio de Cabezón Wikipedia article]. | |||
==List of Organ Works== | |||
{| class="sortable wikitable" border="1" | |||
|+ Click to sort by Title | |||
|- | |||
! scope="col" | Liturgical Works | |||
|- | |||
| [[Kyrie de Nuestra Señora]] | |||
|- | |||
| [[Tema Rex virginum]] | |||
|- | |||
| [[Kyries de primer]] | |||
|- | |||
| [[Kyries de segundo]] | |||
|- | |||
| [[Kyries de tercero]] | |||
|- | |||
| [[Kyries de cuarto]] | |||
|- | |||
| [[Kyries de quinto]] | |||
|- | |||
| [[Kyries de sexto]] | |||
|- | |||
| [[Kyries de septimo tono]] | |||
|- | |||
| [[Salmodia para principiantes]] | |||
|- | |||
| [[Fabordon y glosas]] | |||
|- | |||
| [[Salmodia para el Magnificat]] | |||
|- | |||
! scope="col" | Tientos | |||
|- | |||
| [[Tiento No.1]] | |||
|- | |||
| [[Tiento No.2]] | |||
|- | |||
| [[Tiento No.3]] | |||
|- | |||
| [[Tiento No.4]] | |||
|- | |||
| [[Tiento No.5]] | |||
|- | |||
| [[Tiento No.6]] | |||
|- | |||
| [[Tiento No.7]] | |||
|- | |||
| [[Tiento No.8]] | |||
|- | |||
| [[Tiento No.9]] | |||
|- | |||
| [[Tiento No.10]] | |||
|- | |||
| [[Tiento No.11]] | |||
|- | |||
| [[Tiento No.12]] | |||
|- | |||
| [[Tiento No.13]] | |||
|- | |||
| [[Tiento No.14]] | |||
|- | |||
| [[Tiento No.15]] | |||
|- | |||
| [[Tiento No.16]] | |||
|- | |||
| [[Tiento No.17]] | |||
|- | |||
| [[Tiento No.18]] | |||
|- | |||
| [[Tiento No.19]] | |||
|- | |||
| [[Tiento No.20]] | |||
|- | |||
| [[Tiento No.21]] | |||
|- | |||
| [[Tiento No.22]] | |||
|- | |||
| [[Tiento No.23]] | |||
|- | |||
| [[Tiento No.24]] | |||
|- | |||
| [[Tiento No.25]] | |||
|- | |||
| [[Tiento No.26]] | |||
|- | |||
| [[Tiento No.27]] | |||
|- | |||
| [[Tiento No.28]] | |||
|- | |||
| [[Tiento No.29]] | |||
|- | |||
! scope="col" | Variations | |||
|- | |||
| [[Diferencias sobre las Vacas]] | |||
|- | |||
| [[Pavana Italiana]] | |||
|- | |||
| [[Diferencias sobre la Gallarda Milanesa]] | |||
|- | |||
| [[Diferencias sobre el canto del Caballero]] | |||
|- | |||
| [[Diferencias sobre la Pavana Italiana]] | |||
|- | |||
| [[Diferencias sobre 'La Dama le demanda']] | |||
|- | |||
| [[Diferencias sobre 'De quien teme enojo Isabel']] | |||
|- | |||
| [[Diferencias sobre las Vacas]] | |||
|- | |||
| [[Otras Diferencias]] | |||
|- | |||
! scope="col" | Other | |||
|- | |||
| [[Fabordon No.1]] | |||
|- | |||
| [[Fabordon No.2]] | |||
|- | |||
| [[Fabordon No.3]] | |||
|- | |||
|} | |||
==Background and General Perspectives on Performing Cabezón Organ Works== | |||
Replace this text with any general perspectives that do not fit under the categories listed below. ''(For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)'' | |||
==Registration and Organs== | |||
Replace this text with information on registration and organs that might be applicable to the whole set of pieces | |||
''See the footnote in the "Notes" section at the bottom of the page<ref>This footnote was entered in the "Registration and Organs" article</ref>'' | |||
==Fingering and Pedaling== | |||
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces | |||
==Articulation and Phrasing== | |||
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces | |||
==Ornamentation== | |||
Replace this text with information on ornamentation that might be applicable to the whole set of pieces | |||
==Tempo and Meter== | |||
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces | |||
==Scores and Editions== | |||
IMSLP [http://imslp.org/wiki/Keyboard_Music_%28Cabez%C3%B3n,_Antonio_de%29] has several scores of various keyboard works. They include tientos, diferencias, and fabordons. | |||
==Recordings== | |||
Replace this text with information on recordings | |||
===Free Online=== | |||
''Diferencias Sobre el Canto de Caballero''[https://www.youtube.com/watch?v=H0foE4goqPI] | |||
''Diferencias Sobre "Guárdame Las Vacas"''[https://www.youtube.com/watch?v=LSuBxwQhok4] | |||
===Pay to Listen=== | |||
Replace this text with information on online recordings that are available for a fee | |||
==Other Resources== | |||
Replace this text with information on other resources that might be pertinent to performing these pieces | |||
==Notes== | |||
<references/> | |||
''This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <nowiki><ref> and then enter the text, and type the tag </ref></nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.'' | |||
Latest revision as of 00:43, 2 May 2015
Synopsis
Antonio de Cabezón (1510-1566) was a blind organist and composer. "Cabezón is ranked among the foremost keyboard performers and composers of his time. His music is rooted in the instrumental tradition of Spain and was composed for keyboard, plucked string instruments and ensembles (curiosos minestriles, ‘skilful minstrels’) that probably included string as well as wind players.....His compositions fall into four distinct groups and contribute to all the principal musical genres of the period. They include: (i) functional liturgical works including hymns, Kyrie verses, psalm settings, Magnificat settings and fabordones; (ii) free works (tientos); (iii) intabulations (canciones glosadas y motetes); and (iv) variations (discantes)."[1]
For additional details, see the Antonio de Cabezón Wikipedia article.
List of Organ Works
Background and General Perspectives on Performing Cabezón Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[2]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
IMSLP [1] has several scores of various keyboard works. They include tientos, diferencias, and fabordons.
Recordings
Replace this text with information on recordings
Free Online
Diferencias Sobre el Canto de Caballero[2]
Diferencias Sobre "Guárdame Las Vacas"[3]
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ Oxford Music Online, http://www.oxfordmusiconline.com.erl.lib.byu.edu/subscriber/article/grove/music/04511pg1?q=antonio+de+cabezon&search=quick&pos=1&_start=1#firsthit, accessed 16 January 2015.
- ↑ This footnote was entered in the "Registration and Organs" article
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
