Henri Mulet: Difference between revisions
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==Background and General Perspectives on Performing Mulet Organ Works== | ==Background and General Perspectives on Performing Mulet Organ Works== | ||
In his published treatise on organ playing, according to Oxford Music Online, "he made public his hostility towards certain innovations in contemporary organ-building: the proliferation of gamba and voix céleste stops, the addition of tremulants and sub- and super-octave couplers, and the disappearance of mutations and mixtures." | |||
==Registration and Organs== | ==Registration and Organs== |
Revision as of 03:45, 2 October 2014
Synopsis
French organist and composer
- 1878 born in Montmartre, Paris, to Gabriel Mulet, choirmaster of the basilica of Sacré-Coeur, Paris.
- 1897 took second prize in organ at the Paris Conservatory, where he studied with Widor and Guilmant.
- 1897-1912 held a succession of posts as titular organist at St Pierre-de-Montrouge (until 1901), St Eustache, Ste Marie des Batignolles (1910), St Roch (1912), and finally St Philippe du Roule in Paris.
- 1922 published "Les tendances néfastes et antireligieuses de l’orgue moderne; suivi d’une étude sur les mutations et les mécanismes rationnels de cet instrument." In this treatise he expressed his opposition to the modern trends (in his eyes) of reprehensible organ playing, that increasingly broke away from worship in the Catholic Church. He also, according to Oxford Music online, "made public his hostility towards certain innovations in contemporary organ-building: the proliferation of gamba and voix céleste stops, the addition of tremulants and sub- and super-octave couplers, and the disappearance of mutations and mixtures. He was quite eccentric and solitary throughout his life.
- 1924 oversaw the overhaul of the Mutin organ at St. Philippe, the most significant alteration being the addition of new mixtures.
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For details, see the Henri Mulet article on Wikipedia.
List of Organ Works
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Op. ?? | Tu Es Petra | year |
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Op. ?? | Title | year |
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Background and General Perspectives on Performing Mulet Organ Works
In his published treatise on organ playing, according to Oxford Music Online, "he made public his hostility towards certain innovations in contemporary organ-building: the proliferation of gamba and voix céleste stops, the addition of tremulants and sub- and super-octave couplers, and the disappearance of mutations and mixtures."
Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.