Daniel Pinkham: Difference between revisions

Revision as of 21:17, 18 November 2014

Synopsis

American composer, organist, and harpsichordist

1923 born in Lynn, Massachusetts
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2006 died in Matick, Massachusetts

Daniel Pinkham was a prolific composer, and wrote a large number of works for organ, many of which are influenced by church liturgy and Biblical stories. He desired clarity and simplicity in his compositions. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, Pedals for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two Concertantes as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements."

For details, see the Wikipedia article on Daniel Pinkham.

List of Organ Works

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Background and General Perspectives on Performing These Organ Works

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Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page^[1]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

↑ This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.

[1] This footnote was entered in the "Registration and Organs" section

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 * 2006 died in Matick, Massachusetts
-Daniel Pinkham was a prolific composer, and wrote a large number of works for organ, much of which is influenced by church liturgy and Biblical stories. He desired clarity and simplicity in his compositions. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, ''Pedals'' for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two ''Concertantes'' as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements."
+Daniel Pinkham was a prolific composer, and wrote a large number of works for organ, many of which are influenced by church liturgy and Biblical stories. He desired clarity and simplicity in his compositions. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, ''Pedals'' for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two ''Concertantes'' as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements."
 For details, see the [http://en.wikipedia.org/wiki/Daniel_Pinkham Wikipedia article on Daniel Pinkham].