Daniel Pinkham: Difference between revisions

Revision as of 23:41, 18 November 2014

Synopsis

American composer, organist, and harpsichordist

1923 born in Lynn, Massachusetts
1939 was powerfully impressed by the "clarity and simplicity" of the music at a concert by the Von Trapp Family singers.
1940–44 studied composition with A.T. Merritt, A.T. Davison, Piston and Copland at Harvard University, and with Hindemith, Honegger and Barber at the Berkshire Music Center at Tanglewood. He studied organ with E. Power Biggs.
1941-47 studied composition with Nadia Boulanger.
1946 began teaching at the Boston Conservatory.
1958-2000, for 42 years, Pinkham was the organist of King's Chapel in Boston.
1959 began teaching at the New England Conservatory, which he continued throughout the remainder of his life.
2006 died in Matick, Massachusetts

Daniel Pinkham was a prolific composer, and wrote a large number of works for organ. Much of his work is influenced by church liturgy and Biblical stories; most of his music is religious in nature, and he composed extensively for choir and/or organ. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, Pedals for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two Concertantes as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements." His works have been commissioned by major institutions, and have been widely performed.

For details, see the Wikipedia article on Daniel Pinkham.

List of Organ Works

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Background and General Perspectives on Performing These Organ Works

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Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page^[1]

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

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Recordings

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Free Online

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Pay to Listen

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Other Resources

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Notes

↑ This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.

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@@ Line 2: / Line 2: @@
 American composer, organist, and harpsichordist
 * 1923 born in Lynn, Massachusetts
-* ?year of event? ?city of event? ?short description of event?
+* 1939 was powerfully impressed by the "clarity and simplicity" of the music at a concert by the Von Trapp Family singers.
-* ?year of event? ?city of event? ?short description of event?
+* 1940–44 studied composition with A.T. Merritt, A.T. Davison, Piston and Copland at Harvard University, and with Hindemith, Honegger and Barber at the Berkshire Music Center at Tanglewood. He studied organ with E. Power Biggs.
+* 1941-47 studied composition with Nadia Boulanger.
+* 1946 began teaching at the Boston Conservatory.
+* 1958-2000, for 42 years, Pinkham was the organist of King's Chapel in Boston.
+* 1959 began teaching at the New England Conservatory, which he continued throughout the remainder of his life.
 * 2006 died in Matick, Massachusetts
-Daniel Pinkham was a prolific composer, and wrote a large number of works for organ, many of which are influenced by church liturgy and Biblical stories. He desired clarity and simplicity in his compositions. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, ''Pedals'' for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two ''Concertantes'' as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements."
+Daniel Pinkham was a prolific composer, and wrote a large number of works for organ. Much of his work is influenced by church liturgy and Biblical stories; most of his music is religious in nature, and he composed extensively for choir and/or organ. Many of his organ works involve little or no use of the organ pedals, with the exception of his work, ''Pedals'' for organ and timpani, which uses the pedals exclusively. He has written many compositions for organ plus solo instrument, organ plus a small ensemble, and even organ with a combination of other instruments and electronic tape. Corliss Arnold mentions Pinkham's two ''Concertantes'' as being significant; these pieces are works written for larger ensembles with organ. According to Oxford Music Online, Pinkham was influenced by church modes, Hindemith and Stravinsky, 16th-century counterpoint, and 17th-century forms. He "employed chromaticism and dodecaphonic techniques and investigated new tonal and intervallic relationships, [but] he never used serial techniques dogmatically, instead combining 12-note rows with tonal elements." His works have been commissioned by major institutions, and have been widely performed.
 For details, see the [http://en.wikipedia.org/wiki/Daniel_Pinkham Wikipedia article on Daniel Pinkham].