In dulci jubilo (BWV 608): Difference between revisions
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O Prince of Glory<BR> | O Prince of Glory<BR> | ||
Draw me after You!<BR> | Draw me after You!<BR> | ||
Draw me after You!<BR> | Draw me after You!<ref>''Johann Sebastian Bach: Orgelbuchlein.'' Ed. Robert Clark and John David Peterson. St. Louis, MO: Concordia, 1984.</ref><BR> | ||
</blockquote> | </blockquote> | ||
Notice that the second verse mentions "Draw me after You!" Bach seems to have based his main compositional approach to this piece on that line. This piece is a double canon; the bass follows the soprano, each carrying the principal melody of the chorale. The alto and tenor also form a canon of swifter moving triplets and duplets. The principal difficulty in this piece is probably lining up correctly the three eighth notes against the two quarter notes that are formed in the alto/tenor canon. | Notice that the second verse mentions "Draw me after You!" Bach seems to have based his main compositional approach to this piece on that line. This piece is a double canon; the bass follows the soprano, each carrying the principal melody of the chorale. The alto and tenor also form a canon of swifter moving triplets and duplets. The principal difficulty in this piece is probably lining up correctly the three eighth notes against the two quarter notes that are formed in the alto/tenor canon. | ||
Revision as of 15:28, 18 February 2015
from Das Orgelbüchlein by Johann Sebastian Bach
Background
The tune for this chorale is the same that is used in "Good Christian Men Rejoice" in English-speaking countries. The text of this chorale is as follows:
In quiet joy
sing and be glad!
Our hearts' desire
lies in a manger
and shines like the sun
in His mother's bosom.
You are Alpha and Omega.
You are Alpha and Omega.
O little Jesus
I long for you!
Comfort my soul
O perfect Child,
with all Your kindness
O Prince of Glory
Draw me after You!
Draw me after You![1]
Notice that the second verse mentions "Draw me after You!" Bach seems to have based his main compositional approach to this piece on that line. This piece is a double canon; the bass follows the soprano, each carrying the principal melody of the chorale. The alto and tenor also form a canon of swifter moving triplets and duplets. The principal difficulty in this piece is probably lining up correctly the three eighth notes against the two quarter notes that are formed in the alto/tenor canon.
Registration and Organs
A 4' principal (Choralbass) or a 4' reed in the pedal with light flues in the manuals works well.Cite error: Closing </ref> missing for <ref> tag</nowiki> to end the footnote. The footnote will then appear in this "Notes" section automatically.
- ↑ Johann Sebastian Bach: Orgelbuchlein. Ed. Robert Clark and John David Peterson. St. Louis, MO: Concordia, 1984.
