Andante sostenuto (Sonata 6, mvt. 2): Difference between revisions
| Line 10: | Line 10: | ||
FORTISSIMO = full organ (grand jeu) | FORTISSIMO = full organ (grand jeu) | ||
FORTE = full organ without the admixture of any of the fullest stops | FORTE = full organ without the admixture of any of the fullest stops | ||
PIANO = a combination of several 8-foot stops | PIANO = a combination of several 8-foot stops | ||
PIANISSIMO = a soft 8-foot stop by itself | |||
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ||
Revision as of 22:52, 28 March 2015
from Sonata 6 (Op. 65) by Felix Mendelssohn
Background
"Mendelssohn was one of the finest organists of his day. The Three Preludes and Fugues op.37, dedicated to Mozart's pupil Thomas Attwood, form a pendant to op.35. The Six Organ Sonatas op.65 (1845), teeming with artful fugues and chorales, summarize and epitomize Mendelssohn's rediscovery of Bach, and may have inspired Schumann's six fugues on B–A–C–H op.60." - Grove Music Online: "Mendelssohn, Felix, §10: Keyboard music" [1]
Visit the Wikipedia page on the Organ Works of Felix Mendelssohn for additional information - [2]
Registration and Organs
Mendelssohn gives registration instructions in his preface to Op. 65. In this movement, pp, p, mp and mf dynamics are indicated. Where the PEDALS are indicated my idea is, even in the PIANISSIMO, that the 8-foot and 16-foot stops should be combined, excepting only where the contrary is especially prescribed (see the sixth Sonata).
FORTISSIMO = full organ (grand jeu)
FORTE = full organ without the admixture of any of the fullest stops
PIANO = a combination of several 8-foot stops
PIANISSIMO = a soft 8-foot stop by itself
See the footnote in the "Notes" section at the bottom of the page. [1]
Fingering and Pedaling
Replace this text with any specific information on fingering and pedaling
Articulation and Phrasing
Replace this text with any specific information on articulation and phrasing
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
Replace this text with any specific information on tempo and meter
Scores and Editions
Replace this text with any specific information on scores and editions
Recordings
Replace this text with any specific information on recordings
Free Online
Replace this text with any specific information on online recordings that are available free
Pay to Listen
Replace this text with any specific information on online recordings that are available for a fee
Other Resources
Replace this text with any information on other resources pertinent to performing these works
Notes
- ↑ This footnote was entered in the "Registration and Organs" article.
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
