Lob sei dem allmächtigen Gott (BWV 602): Difference between revisions
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==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
The pedal part consists of three extended descending lines, the ideal of ''catabasis'', which might refer to Christ's descent from heaven in the Nativity.<ref>Boehnke, Paul B., ''Diapason'' March 1985, Vol. 76, 10.</ref> | The pedal part consists of three extended descending lines, the ideal of ''catabasis'', which might refer to Christ's descent from heaven in the Nativity.<ref>Boehnke, Paul B., ''Diapason'' March 1985, Vol. 76, 10.</ref><BR> | ||
Play the pedal part with alternating toes. Pay attention to the break you make between the octave leaps, and the break that happens following the ties quarter note and sixteenth note. | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
Revision as of 16:02, 1 April 2015
from Das Orgelbüchlein by Johann Sebastian Bach
Background
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Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page [1]
Fingering and Pedaling
The pedal part consists of three extended descending lines, the ideal of catabasis, which might refer to Christ's descent from heaven in the Nativity.[2]
Play the pedal part with alternating toes. Pay attention to the break you make between the octave leaps, and the break that happens following the ties quarter note and sixteenth note.
Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
James Kibbie, 1717 Trost organ, St. Walpurgis, Großengottern, Germany, using Lieblich Gedackt 8, Principal 4 in the Positiv; Subbass 16, Bordun 8, Octave 4 in the Pedal.
Pay to Listen
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Other Resources
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Notes
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