Nun komm, der Heiden Heiland (BWV 599): Difference between revisions
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==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Replace this text with any specific information on articulation and phrasing. | |||
Quentin Faulkner has supplied early fingering and pedaling for this piece in the Leupold edition. | |||
==Articulation and Phrasing== | ==Articulation and Phrasing== | ||
Revision as of 07:51, 3 July 2012
from Das Orgelbüchlein by Johann Sebastian Bach
Background
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Registration and Organs
For a meditative interpretation: flutes 8', 8' & 4', or 8', 4', 2'; principal 8';[1] or German Baroque-style string stops, with balanced pedal built on a 16' foundation. For a more jubilant interpretation use some sort of plenum (principals 8' through 2' or chorus mixture). [2] [3]
Fingering and Pedaling
Replace this text with any specific information on articulation and phrasing.
Quentin Faulkner has supplied early fingering and pedaling for this piece in the Leupold edition.
Articulation and Phrasing
Replace this text with any specific information on articulation and phrasing
Ornamentation
Replace this text with any specific information on ornamentation
Tempo and Meter
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Scores and Editions
media:bach_orgelbuchlein_01_nun_komm.pdf
- Free download of Bach Gesellschaft edition.
Recordings
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Free Online
James Kibbie, 1717 Trost organ, St. Walpurgis, Großengottern, Germany, using Lieblichgedackt 8' and Flötuse 4' in the Positiv; Subbaß 16' and Bordunbaß 8' in the Pedal.
Pay to Listen
William Porter at the 1723 Hildebrandt at Störmthal., including 10 other pieces from Das Orgelbuchlein.
Notes
- ↑ Robert Clark master class, Brigham Young University, Jan. 11, 1996.
- ↑ J. S. Bach 1685-1750: Basic Organ Works. Historical Organ Techniques and Repertoire, vol. 2. Ed. Quentin Faulkner. Boston: Wayne Leupold Editions, 1997.
- ↑ Johann Sebastian Bach: Orgelbuchlein. Ed. Robert Clark and John David Peterson. St. Louis, MO: Concordia, 1984.
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