Nun komm, der Heiden Heiland (BWV 599): Difference between revisions
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==Fingering and Pedaling== | ==Fingering and Pedaling== | ||
Quentin Faulkner has supplied early fingering and pedaling for this piece in the Leupold edition. | Quentin Faulkner has supplied early fingering and pedaling for this piece in the Leupold edition. | ||
Revision as of 13:31, 3 July 2012
from Das Orgelbüchlein by Johann Sebastian Bach
Background
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Registration and Organs
For a meditative interpretation: flutes 8', 8' & 4', or 8', 4', 2'; principal 8';[1] or German Baroque-style string stops, with balanced pedal built on a 16' foundation. For a more jubilant interpretation use some sort of plenum (principals 8' through 2' or chorus mixture). [2] [3]
Fingering and Pedaling
Quentin Faulkner has supplied early fingering and pedaling for this piece in the Leupold edition.
Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
media:bach_orgelbuchlein_01_nun_komm.pdf
- Free download of Bach Gesellschaft edition.
Recordings
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Free Online
James Kibbie, 1717 Trost organ, St. Walpurgis, Großengottern, Germany, using Lieblichgedackt 8' and Flötuse 4' in the Positiv; Subbaß 16' and Bordunbaß 8' in the Pedal.
Pay to Listen
William Porter at the 1723 Hildebrandt at Störmthal., including 10 other pieces from Das Orgelbuchlein.
Notes
- ↑ Robert Clark master class, Brigham Young University, Jan. 11, 1996.
- ↑ J. S. Bach 1685-1750: Basic Organ Works. Historical Organ Techniques and Repertoire, vol. 2. Ed. Quentin Faulkner. Boston: Wayne Leupold Editions, 1997.
- ↑ Johann Sebastian Bach: Orgelbuchlein. Ed. Robert Clark and John David Peterson. St. Louis, MO: Concordia, 1984.
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