Carillon: Difference between revisions
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from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]] | from [[Vingt-quatre Pièces en style libre]] by [[Louis Vierne]] | ||
The ''Carillon'' is the most popular of all of the twenty-four pieces. | |||
Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."<ref> Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 534. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."<ref> Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 534. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.</ref> | ||
Revision as of 03:36, 20 March 2014
from Vingt-quatre Pièces en style libre by Louis Vierne
The Carillon is the most popular of all of the twenty-four pieces.
Vierne's program note from his organ recital at Westminster Cathedral, London, January 3, 1924, states that "The Carillon was written on a theme of the chime rung on the bells of the Chapel attached to the Castle of Longpont (Aisne) that played this tune on the Patronal Festival of the Castle, the [feast] day of St. John of Montmorail."[1]
Registration and Organs
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See the footnote in the "Notes" section at the bottom of the page. [2]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
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