Choral: Difference between revisions
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==Registration and Organs== | ==Registration and Organs== | ||
R. Fonds 8', Hautbois, Trompette | |||
G. Fonds 8' | |||
Ped. Fonds 16', 8, | |||
Claviers accouplés. Tirasses. | |||
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ||
Revision as of 05:07, 20 March 2014
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to Joseph Boulnois.
The second half of the Choral theme is similar to César Franck's third beatitude, Blessed are those who mourn.[1]
G Minor 4 pages
Registration and Organs
R. Fonds 8', Hautbois, Trompette G. Fonds 8' Ped. Fonds 16', 8, Claviers accouplés. Tirasses.
See the footnote in the "Notes" section at the bottom of the page. [2]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
