Con moto maestoso (Sonata 3, mvt. 1): Difference between revisions
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==Registration and Organs== | ==Registration and Organs== | ||
From Mendelssohn's preface: | |||
With the following compositions much depends upon a judicious choice of the stops. But in as much as every organ of which I have cognisance required, in this respect, is own particular treatment owing to the fact that the like-named stops on different instruments do not always produce uniform effects, I have confined myself to prescribing certain limits only, without actually indicating the specific stops to be used. Thus I employ the term FORTISSIMO as suggestive of the full organ (grand jeu) and PIANISSIMO as generally implying a soft 8-foot stop by itself; FORTE as indicative of the full organ without the admixture of any of the fullest stops; PIANO as a combination of several 8-foot stops, and so on. Where the PEDALS are indicated my idea is, even in the PIANISSIMO, that the 8-foot and 16-foot stops should be combined, excepting only where the contrary is especially prescribed (see the sixth Sonata). It is, therefore, left to the discretion of the player himself to select the mixtures of the various stops in a manner suited to the individual pieces, but it is essential to take care that in combining two manuals the one manual shall be distinct from the other as regards tone-quality without, however, producing a harsh contrast in this respect. (Felix Mendelssohn) | |||
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref> | ||
Revision as of 07:00, 21 January 2015
from Sonata 3 (Op. 65) by Felix Mendelssohn
Background
Replace this text with any general perspectives that do not fit under the categories listed below
Registration and Organs
From Mendelssohn's preface: With the following compositions much depends upon a judicious choice of the stops. But in as much as every organ of which I have cognisance required, in this respect, is own particular treatment owing to the fact that the like-named stops on different instruments do not always produce uniform effects, I have confined myself to prescribing certain limits only, without actually indicating the specific stops to be used. Thus I employ the term FORTISSIMO as suggestive of the full organ (grand jeu) and PIANISSIMO as generally implying a soft 8-foot stop by itself; FORTE as indicative of the full organ without the admixture of any of the fullest stops; PIANO as a combination of several 8-foot stops, and so on. Where the PEDALS are indicated my idea is, even in the PIANISSIMO, that the 8-foot and 16-foot stops should be combined, excepting only where the contrary is especially prescribed (see the sixth Sonata). It is, therefore, left to the discretion of the player himself to select the mixtures of the various stops in a manner suited to the individual pieces, but it is essential to take care that in combining two manuals the one manual shall be distinct from the other as regards tone-quality without, however, producing a harsh contrast in this respect. (Felix Mendelssohn)
See the footnote in the "Notes" section at the bottom of the page. [1]
Fingering and Pedaling
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Articulation and Phrasing
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Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Free Online
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Other Resources
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Notes
- ↑ This footnote was entered in the "Registration and Organs" article.
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
