Pasticcio, from Organ Book: Difference between revisions
| Line 18: | Line 18: | ||
G g o w | G g o w | ||
B h p x | B h p x | ||
The capital letters correspond to musical pitches. | The capital letters correspond to musical pitches.<ref>Miller, Max B. "Dear Uncle Max." The American Organist, September 2001, 77.</ref> | ||
==Registration and Organs== | ==Registration and Organs== | ||
Revision as of 23:41, 28 February 2015
from Organ Book by Jean Langlais
Background
Pasticcio consists of five pages, with a couple key changes, and multiple manual changes (with both hands playing on the same manual).
According to Grove's Dictionary, "Pasticcio" is the Italian word for "mess" or "hotchpotch." It also is a "dramatic work or sacred vocal work whose parts have been borrowed, new texts may have been written, or works by various composers combined." In the 18th century Opera composers borrowed their own tunes for their own pasticcios. When asked what he meant by the title, "Pasticcios," Langlais explained, "A pasticcio is a composition derived from other works." According to Ann Labounsky, Langlais may have had a specific model in mind. Nevertheless, it is thought that it "comes from a love of encoding names in his musical themes."."[1]
Langlais frequently "encoded names of those to whom he dedicated works, or was otherwise close to -- Ann, Susan Ferré, Marie, Marie-Louise, Olivier Messiaen, Pascale, Collete Alain, Paf (a dog), Jeannette, Karen Hastings, and so forth. 'He.....sought to reveal, in his music, his innermost desires and thuoghts as well as the names of persons.....By using pitches to correspond to letters of the alphabet, he was able to write names and even complete sentences, in the form of a musical theme."[2]
Here is an example of how Langlais's coding was done:
A a i q y Bb b j r z C c K s D d l t E e m u F f n v G g o w B h p x
The capital letters correspond to musical pitches.[3]
Registration and Organs
Swell: (Vox humana); Cymbale, without tremolo
Great: Foundations 8', 4', 2', Mixtures, Choir to Great coupled
Choir: Foundations 8', 4', 2', 1', Mixtures
Pedal: Foundations 16' and 8'
For information concerning the organ of Jean Langlais, visit The Great Cavaille'-Coll Organ
Fingering and Pedaling
There is very limited pedaling, with the most active pedaling being at the last four measures.
Articulation and Phrasing
Played with a light, staccato articulation.
Ornamentation
No ornamentation is required for this piece.
Tempo and Meter
Allegro, quarter note = 116
This piece is basically in common time, with one or two measures of 2/4 on each page.
Scores and Editions
The Service Playing exam requires the use of Elkan Vogel 463-00006.
Recordings
Replace this text with any specific information on recordings
Free Online
"In Memoriam Jean Langlais," , JEAN LANGLAIS: Pasticcio, from Organ Book [1957] –Jean Langlais (1738 Müller/Sint-Bavokerk [St. Bavo Church], Haarlem, The Netherlands) InterSound 2001, Pipedreams [1]
Jean Langlais - Organ Book: X. Pasticcio. Performed by Dragan Trajer on virtual Mutin-Cavaillé-Coll organ of Notre-Dame de Metz. [2]
Pay to Listen
Replace this text with any specific information on online recordings that are available for a fee
Other Resources
Replace this text with any information on other resources pertinent to performing this piece
Notes
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.
