Trio on People Look East: Difference between revisions

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No registration changes are needed during the trio.  The last page has frequent manual changes. "Since the music repeats a motif at the changes, it's only necessary to read every other measure. Keeping your eyes glued to the music might be risky in this passage."<ref>Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.</ref>
No registration changes are needed during the trio.  The last page has frequent manual changes. "Since the music repeats a motif at the changes, it's only necessary to read every other measure. Keeping your eyes glued to the music might be risky in this passage."<ref>Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.</ref>
''See the footnote in the "Notes" section at the bottom of the page.'' <ref>This footnote was entered in the "Registration and Organs" article.</ref>


==Fingering and Pedaling==
==Fingering and Pedaling==

Latest revision as of 03:27, 16 March 2015

from Light One Candle by Wayne L. Wold

Background

"Dr. Wold is associate professor of music and college organist at Hood College in Frederick, Md. 'Besançon' is the third section of his 'Light One Candle: An Advent Organ Collection,' published in 1996 by Augsburg Fortress. The other hymn tune settings are on 'Tif in Veldele' and 'Wachet auf.'[1]


"The trio on the hymn tune 'Besançon' was also recorded by Dr. Dykstra for the Service Playing CD, which accompanies the Study Guide for the AGO Service Playing Test, available for $20 from the AGO. This threepage trio is preceded by a one-page "Intonation on People, Look East," which should not be played for the test.....Be sure to play Fl in measure 5, top line, p. 26."[2]

Registration and Organs

The suggested registration is 8' and 2' stops in the right hand, 8', 4', and 154' in the left hand, with 8' Flute and 4' Principal in the Pedal.[3]

No registration changes are needed during the trio. The last page has frequent manual changes. "Since the music repeats a motif at the changes, it's only necessary to read every other measure. Keeping your eyes glued to the music might be risky in this passage."[4]

Fingering and Pedaling

Replace this text with any specific information on fingering and pedaling

Articulation and Phrasing

Articulation groups are indicated with slurs and staccato marks, and when followed will reflect the playful character of the piece.

Ornamentation

Replace this text with any specific information on ornamentation

Tempo and Meter

Allegretto, lively and playful.

Scores and Editions

Replace this text with any specific information on scores and editions

Recordings

Replace this text with any specific information on recordings

Free Online

Replace this text with any specific information on online recordings that are available free

Pay to Listen

Replace this text with any specific information on online recordings that are available for a fee

Other Resources

Replace this text with any information on other resources pertinent to performing this piece

Notes

  1. ↑ Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.
  2. ↑ Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.
  3. ↑ Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.
  4. ↑ Thomerson, Kathleen. The American Organist, 43.10 (Oct 2009): 42.

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.

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