Percy Whitlock

Synopsis

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List of Organ Works

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Opus	Title	Year
Op. ??	6 Hymn Preludes	1923, revised 1944
Op. ??	5 Short Pieces in Various Styles	1929
Op. ??	Two Fantasie Chorales	1931-1933
Op. ??	4 Extemporisations	1933
Op. ??	7 sketches on verses of the Psalms	1934
Op. ??	Sonata in C minor	1935–36
Op. ??	Symphony in G minor for organ and orchestra	1936-1937
Op. ??	Plymouth Suite	1937-1939
Op. ??	Three Reflections: Three Quiet Pieces	1942–45

Background and General Perspectives on Performing These Organ Works

From Oxford Music online:

"He wrote a number of slight but attractive compositions, mostly for organ or choir; the harmonic idiom is conservative for its time but imaginative use is made of limited resources."

"Less profound but quintessentially British are the well crafted hymn-preludes and character-pieces of Percy Whitlock."

From Wikipedia:

"Whitlock quickly arrived at a musical idiom that combined elements of his teacher's output and that of Elgar.[citation needed] His lush harmonic style also bore traces of Gershwin and other popular composers of the 1920s. Stanford, Rachmaninov and Roger Quilter are other important stylistic influences. Like Vaughan Williams and Frederick Delius, he often used themes that sounded like folk songs but were, in fact, original creations."

"Whitlock's creative gifts expressed themselves most completely in the smaller forms, and as a miniaturist he can stand alongside many composers much better remembered than he."

Registration and Organs

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See the footnote in the "Notes" section at the bottom of the page

Fingering and Pedaling

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Articulation and Phrasing

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Ornamentation

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Tempo and Meter

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Scores and Editions

Six hymn preludes, ISBN: 0193759020, London: Oxford University Press, 1945, 2 v. of music; 31 cm.

• At Brigham Young University HBLL call number M 11 .W452 .H85 1945 vol.1

Five short pieces, London: Oxford University Press, 1930, 17 p. of music; 31 cm.

• At Brigham Young University HBLL call number M 11 .W452 S56 1930

Recordings

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Other Resources

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Notes

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