Paul Manz
Synopsis
American composer, organist, and teacher
- 10 May 1919, born in Cleveland, OH
- 1926 or 1927, Cleveland, studied organ with Henry J. Markworth at Trinity Lutheran Church
- ????, Chicago, IL, studied with Edwil Eigenschenk at the American Conservatory
- 1941-46, Fond du Lac, WI and St. Paul, MN, teacher, principal and musician with several parishes
- ????, Berea, OH, studied with Albert Riemenschneider at Baldin Wallace College
- ????, Cleveland, OH, studied with Edwin Arthur Kraft at Trinity Cathedral
- 1946-83, Minneapolis, MN, served as full-time director of Christian education and music at Mt. Olive Lutheran Church
- ????, Minneapolis, MN, studied with Arthur B. Jennings at University of Minnesota
- ????, Minneapolis-St. Paul, MN, taught on faculty at Univeristy of Minnesota and Macalester Collge
- 1952, Evanston, IL, received master's degree in organ performance from Northwestern University
- 1956, Antwerp, Belgium, received Fulbright grant to study with Flor Peeters at the Royal Conservatory of Music
- ????, Frankfurt, received an extension of Fulbright grant and studied with Helmut Walcha
- 1957-76, St. Paul, MN, professor and chair of the Division of Fine Arts at Concordia College
- 1976, Minneapolis, MN, returned to full-time service at Mt. Olive Lutheran Church
- 1983-92, Chicago, IL, Christ Seminex professor of church music and artist-in-residence at the Lutheran School of Theology
- 1983-99, Chicago, cantor at Evangelical Lutheran Church of St. Luke
- ????-1999, Chicago, Paul Manz Institute of Church Music formed at St. Luke
- 28 Oct 2009, died in St. Paul, MN
He is known most for his chorale preludes, giving the genre an American flair
For details, see the Wikipedia article on Paul Manz. For more information, visit MorningStar Music's memoriam.
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing These Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.