Anthon van der Horst

Synopsis

Dutch composer, conductor and organist.

• 1899 born in Amsterdam, the Netherlands
• a child prodigy, he began giving his first concerts at age 10.
• 1915-1919 attended the Amsterdam Conservatory, where he studied composition and organ.
• 1929 recorded for the Columbia label in the Central Hall, London.
• 1931 until his death he was conductor of the Nederlandse Bachvereniging. He also conducted many other ensembles.
• 1935-1964 taught the organ at the Amsterdam Conservatory.
• 1965 died in Hilversum, the Netherlands.

According to Oxford Music online, van der Horst "developed his own tonal language, the ‘modus conjunctus’, in which two centres at a distance of a diminished 5th act as tonic and dominant." This resulted in an octatonic scale equivalent to Messiaen's, but with arrived at by different means.

Van der Horst began the revival of historical performance practice in the Netherlands. His performances of Bach's St. Matthew Passion and B minor Mass became famous throughout Europe.

Corliss Arnold mentions his Concert Etude, Opus 104, especially for its virtuosic pedal passages. Arnold also mentions the Toccata in modo conjuncto, Orgel Partita op Psalm 8, and Concert opus 58. For details, see the as listed in Wikipedia article?.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication

Opus	Title	Year
Op. ??	Title	year
Op. ??	Title	year
Op. ??	Title	year
Op. ??	Title	year
Op. ??	Title	year
Op. ??	Title	year
Op. ??	Title	year

Background and General Perspectives on Performing These Organ Works

Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Replace this text with information on online recordings that are available free

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.