(Johann Baptist Joseph) Maximilian Reger
Synopsis
German composer, organist, and teacher
- Born on March 19, 1873 in Brand, nr Bayreuth, Germany
- ?year of event? ?city of event? ?short description of event?
- 1874 moved to Weiden, his father taught him music in his youth
- 1884 He took piano lessons from Adalber Lindner
- 1888 he decided to pursue a career in music
- 1886-1889 he was deputy organist to Lindner
- 1890 moved to Wiesbaden to study with Reimann at the Wiesbaden Conservatory
- 1890 Reimann, impressed with Reger's first Violin Sonata, recommended him to be a teacher in theory at the Conservatory
- 1890-6 Reger developed musical contacts with people such as Richard Strauss, Eugen d'Albert and Busoni.
- 1896-7 Served in the military for a year
- 1898 Reger's had a breakdown and moved back to Weiden
- 1898 in Weiden he taught privately for his primary source of income
- 1898-1903 he composed some of his fantasias on chorale melodies
- 1901 moved to Munich
- 1902 married Elsa von Bercken
- 1903 Leipzig he wrote the theoretical treatise Beitrage zur Modulationslehre
- 1904 started having wider success and more performances of his works
- 1904 Became a teacher of theory, composition, and organ at the Munich Akademie in Tonkunst
- 1907 Became director of music at the University in Leipzig
- 1911 he became the director of the orchestra of the ducal court of Saxe-Meiningen
- 1915 he retired to Jena and sustained his family through compositions and concert tours
- Died on May 11, 1916 in Leipzig, Germany of a heart attack
1894-1903 was the climax of his output for organ. During this time he composed fantasias on chorale tunes. Karl Straube introduced these compositions to the public. Most of his complex works were never performed by him since he did not keep up with his organ technique. His organ works are mostly based off baroque forms. His later organ works are considered to have revived the baroque style with 19th century romanticism.
For details, see the Max Reger article on Wikipedia.
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing Reubke Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.