Abbé Georg Joseph Vogler
Synopsis
German composer, organ designer, and teacher
- Born in Wurzburg, Germany on June 15 1749
- Son of a instrument maker.
- 1763 enrolled in humnanistic studies at Wurzburg University
- 1770 became almoner at the Mannheim court of Carl Theodor
- 1773 studied briefly with Padre Marini in Bologna, then went to Padua and studied theology
- 1775 went back to Mannheim and became spiritual counsellor and second Kapellmeister
- He founded the Mannheimer Tonschule
- 1780 won an approbation for his theory of harmony from the Academie Royale des Sciences
- 1784 became first Kapellmeister in Munich
- 1786 went to Stockhom as music director and teacher to the crown prince
- 1792 he went to Gibraltar, Cadiz, Tangier to search for ancient traditions of modal singing
- 1793 went back to Stockholm till 1799
- Traveled to Copenhagen, Berlin, Prague and Vienna from 1799-1805
- 1807 court appointment at Darmstadt
- Final project was to build a massive organ called the Triorganon. It was to have 13 manuals divided between three consoles. This remained unfinished
- Died in Darmstadt on May 6, 1814
Most famous for his treatises on Harmony, and how to teach harmony to amateurs and professionals. He used Roman numeral analysis. He wrote chorale settings that are mainly diatonic but a group has many chromaticisms. He wrote a Fugue and 32 preludes for the organ.
For details, see the Wikipedia article on Abbe Georg Joseph Vogler.
List of Organ Works
Opus | Title | Year |
---|---|---|
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Op. ?? | Title | year |
Background and General Perspectives on Performing Vogler Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.