(Dom) Paul Benoit

From Organ Playing Wiki
Jump to navigationJump to search

Synopsis

French organist, composer, and Benedictine monk

  • 1893 born in Nancy, France. He studied piano with his mother and took organ lessons from Mademoiselle Hess, the daughter of the organist of Notre Dame Cathedral in Nancy.
  • 1918 joined the Benedictine Abbey at Clervaux in Luxembourg.
  • 1926 after taking his vows and being ordained to the priesthood, he became known as Dom Paul Benoit, "Dom" being the traditional title given to Benedictines after their vows.
  • 1926 studied the organ with Albert Leblanc, the former organist of Notre Dame Cathedral in Luxembourg. He then studied with Augustin Pierson, organist at St. Louis Cathedral in Versailles. He studied the music of Bach and of Louis Vierne.
  • 1931 took over as organist of the Mutin-Cavaillé-Coll organ (3 manuals, 20 stops) at the abbey. He also began composing seriously. However, he composed only for God, and never performed a public concert.
  • ?year of death? died in ?city of death?

For details, see the as listed in Wikipedia article?.

List of Organ Works

Click to sort by opus number, title, or year of composition or publication
Opus Title Year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year
Op. ?? Title year

Background and General Perspectives on Performing These Organ Works

According to Wikipedia,

"In an autobiography, [Benoit] said that he drew inspiration from J.S. Bach (counterpoint), Louis Vierne (chromaticism), Claude Debussy (free rhythmic structure) and Maurice Ravel (chromaticism). His main source of inspiration was Gregorian chant, who he heard daily in the monastic liturgy. Benoit's compositional style can be described as melodic-pentatonic. He skillfully uses ninths, elevenths, and thirteenths, and the melody is often set against sustained chords."

Registration and Organs

Replace this text with information on registration and organs that might be applicable to the whole set of pieces

See the footnote in the "Notes" section at the bottom of the page[1]

Fingering and Pedaling

Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces

Articulation and Phrasing

Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces

Ornamentation

Replace this text with information on ornamentation that might be applicable to the whole set of pieces

Tempo and Meter

Replace this text with information on tempo and meter that might be applicable to the whole set of pieces

Scores and Editions

Replace this text with information on scores and editions that might be applicable to the whole set of pieces

Recordings

Replace this text with information on recordings

Free Online

Replace this text with information on online recordings that are available free

Pay to Listen

Replace this text with information on online recordings that are available for a fee

Other Resources

Replace this text with information on other resources that might be pertinent to performing these pieces

Notes

  1. This footnote was entered in the "Registration and Organs" section

This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.