Joseph Jongen
Synopsis
Belgium, composer, organist, and teacher
- Born in Liege, Belgium on December 14, 1873
- 1880 enrolled in the Liege Conservatoire.
- 1892 joined the organ class of Charles-Marie Danneels
- 1896 got the gilt medal in organ.
- 1897 won the Prix de Rome
- 1891 became the organist of Grand Seminaire, Liege
- 1894 became the organist at St. Jacques, Liege
- Took composition classes from Richard Strauss
- 1899 moved to Bayreuth
- Went to Paris and became acquainted with Faure and the Schola Cantorum
- 1905 moved to Brussels.
- Taught at the Scola Musicae.
- 1911 became a professor of harmony at the Liege Conservatoire
- 1909 got maireed to Valentine Ziane
- 1914 moved to England
- 1920 moved back to Brussels and became to professor of fugue at the Brussels Conservatoire
- 1939 he retired but continued to compose
- Died in Sart, Belgium on July 12, 1953
1894-1950 Jongen's most known organ music is the Sonata eroica and Symphonie Concertante. His composition style was influenced by Wagner, Schumann, Mendelssohn and Chopin. His later works he produced works in the classical impressionism medium. Some of his works can seem a bit dramatic, superficial, and showy.
For details, see the as listed in the Joseph Jongen Wikipedia article?.
List of Organ Works
Opus | Title | Year | ||||
---|---|---|---|---|---|---|
Op. 9 | 20 preludes et versets | 1890-91 | ||||
Op. 11 | [[Elevation] | 1891 | ||||
Op. 12 | Elegie | 1891 | ||||
Op. 28 | Piece pour grand orgue | 1892 | ||||
Op. 5 | 5 Pieces d'orgues | 1894-8 | ||||
Op. 65 | Andante cantabile | 1895 | ||||
Op. 83 | Pastorale | 1896 | ||||
Op. 85 | Offetoire (Grand Choeur) | 1896 | ||||
Op. 44 | Offetoire | 1893 | ||||
Op. 62 | Communion | 1894 | ||||
Op. 88 | Fugue dans le style de J. S. Bach | 1897 | 0 | Op. 95 | Marche-Cortege | 1898 |
Op. 134 | Pastorale | 1906 | ||||
Op. 143 | Cantilene | 1908 | ||||
Op. 37 | 4 pieces | 1911 | ||||
Op. 160 | Cantabile | 1910 | ||||
Op. 161 | Improvisation-Caprice | 1911 | ||||
Op. 162 | Priere | 1910 | ||||
Op. 163 | Choral | 1911 | ||||
Op. 38 | 2 Pieces | 1911 | ||||
Op. 164 | Marche religieuse | 1911 | ||||
Op. 165 | Larghetto | 1911 | ||||
Op. 177 | Prelude April funebre | 1914 | ||||
Op. 47 | 2 Pieces | 1915 | ||||
Op. 181 | Prelude elegiaque | 1915 | ||||
Op. 182 | 2 Pansee d'automne | 1915 | ||||
Op. 53 | 2 Pieces | 1917 | ||||
Op. 192 | Cant de May | 1917 | ||||
Op. 193 | Menuet Scherzo | 1917 | ||||
Op. 94 | Sonata eroica | 1930 | ||||
Op. 311 | Toccata | 1935 | ||||
Op 313 | Petite piece | 1936 | ||||
Op. 319 | Petit prelude | 1937 | ||||
Op. 108 | 2 Pieces | 1940 | ||||
Op. 325 | Scherzetto | 1938 | ||||
Op. 326 | 2 priere | 1938 | ||||
Op. 338 | Improvisation-Pastorale | 1941 | ||||
Op. 343 | Prelude et Fugue | 1943 | ||||
Op. 350 | Gaudeamus: verset pour la fete de l'assomption | 1944 |
Organ and Symphony Pieces
Symphonie Concertante op. 81 is a piece for grand Organ and Orchestra.
Background and General Perspectives on Performing These Organ Works
Replace this text with any general perspectives that do not fit under the categories listed below. (For comments on a specific piece or genre, use the list of pieces above to navigate to that page.)
Registration and Organs
Replace this text with information on registration and organs that might be applicable to the whole set of pieces
See the footnote in the "Notes" section at the bottom of the page[1]
Fingering and Pedaling
Replace this text with information on fingering and pedaling that might be applicable to the whole set of pieces
Articulation and Phrasing
Replace this text with information on articulation and phrasing that might be applicable to the whole set of pieces
Ornamentation
Replace this text with information on ornamentation that might be applicable to the whole set of pieces
Tempo and Meter
Replace this text with information on tempo and meter that might be applicable to the whole set of pieces
Scores and Editions
Replace this text with information on scores and editions that might be applicable to the whole set of pieces
Recordings
Replace this text with information on recordings
Free Online
Replace this text with information on online recordings that are available free
Pay to Listen
Replace this text with information on online recordings that are available for a fee
Other Resources
Replace this text with information on other resources that might be pertinent to performing these pieces
Notes
- ↑ This footnote was entered in the "Registration and Organs" section
This space is for automatic insertion of footnotes. To enter a footnote from anywhere in the article, start by typing the tag <ref> and then enter the text, and type the tag </ref> to end the footnote. The footnote will then appear in this "Notes" section automatically.