Rêverie
from Vingt-quatre Pièces en style libre by Louis Vierne
Background
Dedicated to Edouard Mignan.
E Minor 4 pages 1-4 voice texture
Registration and Organs
The following registration indications are given in the score:
G. Fonds 8' sans montre
R. Fonds 8'
Ped. Fonds doux 16', 8'
Claviers accouplés. Tirasses
On the great you would want a few of the 8' foundation stops, but not including the 8' principal (the French "montre"). On the swell (the French "recit") you would want some of the 8' foundation stops. These may include flutes, a principal, and possibly a string. For the pedal you would want some of the softer 16' and 8' stops. The swell should be coupled to the great, and both manuals should be coupled to the pedal. You should start the piece with the swell box closed. If your organ has an expressive Great division, you will want its shades open. You will need to open or close the swell box for the crescendos and diminuendos indicated in the score.
Fingering and Pedaling
Pedaling throughout about one-half of the piece Expression pedal
Articulation and Phrasing
"Legato playing is best suited to the organ for, by the very nature of the instrument, the evenness of all notes in the same register quite naturally calls for precisely connecting these notes one after the other."[1]
Vierne stressed to make certain that the inner voices are legato and that the pedal be played legato as well. He advised "playing the black keys 'on the very edge to facilitate, when practical, sliding onto the naturals.'"[2]
Ornamentation
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Tempo and Meter
3/4, Moderato, quarter note = 69
Scores and Editions
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Recordings
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Free Online
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Pay to Listen
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Other Resources
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Notes
- ↑ Louis Vierne,"Renseignements Généraux pour l'Interpretation de l'CEuvre d'Orgue de J.S. Bach," CEuvres pour ORgue de Bach (Paris: Éditions Maurice Senart, 1924) v.
- ↑ Rollin Smith, Louis Vierne: Organist of Notre Dame Cathedral, 571. The Complete Organ No. 3. Hillsdale, New York: Pendragon Press, 1999.
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