Andante (Sonata 5, mvt. 1)
from Sonata 5 (Op. 65) by Felix Mendelssohn
Background
"Mendelssohn was one of the finest organists of his day. The Three Preludes and Fugues op.37, dedicated to Mozart's pupil Thomas Attwood, form a pendant to op.35. The Six Organ Sonatas op.65 (1845), teeming with artful fugues and chorales, summarize and epitomize Mendelssohn's rediscovery of Bach, and may have inspired Schumann's six fugues on B–A–C–H op.60." - Grove Music Online: "Mendelssohn, Felix, §10: Keyboard music" [1]
Visit the Wikipedia page on the Organ Works of Felix Mendelssohn for additional information - [2]
This movement is in a chorale style.
Registration and Organs
Mendelssohn gives registration instructions in his preface to Op. 65. In this movement, a mezzo forte dynamic is indicated. Mendelssohn didn't indicate how to achieve a mezzo forte dynamic, but it can be deduced according to his specifications below. Where the PEDALS are indicated, the 8-foot and 16-foot stops should be combined.
FORTISSIMO = full organ (grand jeu) PIANISSIMO = a soft 8-foot stop by itself FORTE = full organ without the admixture of any of the fullest stops PIANO = a combination of several 8-foot stops
See the footnote in the "Notes" section at the bottom of the page. [1]
Fingering and Pedaling
Both the Peters and Dupre Editions of Mendelssohn's Organ Works contain fingering suggestions. Refer to both to see what fingerings/pedalings work for you. The Novello contains no fingering or pedaling.
Articulation and Phrasing
Different editions contain different phrasing marks in the score. The Novello edition has a system that shows which phrase marks are used in what editions. Refer to that edition to compare phrasing as you make your own musical decisions.
Ornamentation
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Tempo and Meter
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Scores and Editions
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Recordings
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Other Resources
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Notes
- ↑ This footnote was entered in the "Registration and Organs" article.
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